Karl Komzák, Ray Woodfield, Rundfunkblasorchester Leipzig, Matty Cilissen's ' "Erzherzog Albrecht Marsch" was released on its scheduled release date, 2005. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Erzherzog Albrecht Marsch's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ray Woodfield, Rundfunkblasorchester Leipzig, Matty Cilissen's "More Great Marches" album is number 14 out of 19. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Erzherzog Albrecht Marsch is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Erzherzog Albrecht Marsch by Karl Komzák, Ray Woodfield, Rundfunkblasorchester Leipzig, Matty Cilissen to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quel Guardo Il Cavaliere | George Carlaw | A♭ Major | 1 | 4B | 82 BPM | ||
| Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| Valse Normandie, Op. 6 | Karl Komzák, Folk Tune, Julius Siede, Ernie Althoff, Paul Lacombe, Mikis Theodorakis, Ion Ivanovici, Karl Zimmer, Heinrich Werner, Gerhard Winkler, Alexander Ritter, Ernest Gillet, Ludwig Maulshagen, Antonio Pappano, The Royal Opera House Orchestra | G Major | 1 | 9B | 70 BPM | ||
| Tritsch -Tratsch Polka | Armonie Symphony Orchestra, Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
| Boulevard Paris | Karl Komzák, Folk Tune, Julius Siede, Ernie Althoff, Paul Lacombe, Mikis Theodorakis, Ion Ivanovici, Karl Zimmer, Heinrich Werner, Gerhard Winkler, Alexander Ritter, Ernest Gillet, Ludwig Maulshagen, The Royal Opera House Orchestra, Antonio Pappano | D♭ Major | 4 | 3B | 73 BPM | ||
| Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 3 | 5A | 74 BPM | ||
| Fächer-Polonaise op. 525 | Orchester der Wiener Staatsope | D Major | 2 | 10B | 133 BPM | ||
| Poppa Piccolino | Mantovani & His Orchestra | D Major | 2 | 10B | 133 BPM | ||
| Delirien, Walzer, Op. 212 | Josef Strauss, Mariss Jansons, Wiener Philharmoniker | C Major | 2 | 8B | 97 BPM | ||
| Shattered Echoes | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Suite from Mam’zelle Angot, Act I: VII. Allegretto | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 80 BPM | ||
| O Mio Babbino Caro | George Carlaw | A♭ Major | 1 | 4B | 82 BPM | ||
| Act I, 9 Pas de Cinq: Grand Allegro Duet Variation | Édouard Deldevez, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Les Fourmis | Wojciech Kilar | E Major | 4 | 12B | 120 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Der Kaiser kommt | Das Polizeiorchester Potsdam | D♭ Major | 3 | 3B | 110 BPM | ||
| The Bird Seller: "Ich bin der Prodecan" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 128 BPM | ||
| El rosarino, Op. 52 | Karl Komzák, Folk Tune, Julius Siede, Ernie Althoff, Paul Lacombe, Mikis Theodorakis, Ion Ivanovici, Karl Zimmer, Heinrich Werner, Gerhard Winkler, Alexander Ritter, Ernest Gillet, Ludwig Maulshagen, The Royal Opera House Orchestra, Antonio Pappano | E♭ Major | 4 | 5B | 124 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Bad'ner Mad'ln | Karl Komzák, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
| Hostblomsten (Harvest Flower), Op. 208 | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | E Major | 2 | 12B | 82 BPM | ||
| Tirant lo Blanc (Version for Symphonic Band): I. Casament del Rei d'Anglaterra | Joan Lluís Moraleda, Banda Municipal De Barcelona, Salvador Brotons | A Major | 3 | 11B | 124 BPM | ||
| La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM |