"III. There Was a Most Beautiful Lady" by Herbert Howells, Matthew Schellhorn had its release date on December 2, 2022. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. III. There Was a Most Beautiful Lady's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Herbert Howells, Matthew Schellhorn's "Howells: Piano Music, Vol. 2" album is number 11 out of 29. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, III. There Was a Most Beautiful Lady's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of III. There Was a Most Beautiful Lady by Herbert Howells, Matthew Schellhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Shakespeare Songs: No. 1, Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | G Major | 1 | 9B | 128 BPM | ||
| Svete Tihiy | Stellenbosch University Choir | E Major | 2 | 12B | 77 BPM | ||
| Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | ||
| Elegy for Solo Viola, String Quartet and String Orchestra, Op. 15 | Herbert Howells, Mathis Rochat, BBC National Orchestra Of Wales, Howard Griffiths, Lesley Hatfield, Martin Gwilym-Jones, Rebecca Jones, Raphael Lang | E Major | 0 | 12B | 73 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
| Christ Has No Body Now But Yours | Exultate Singers | G Minor | 1 | 6A | 141 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | F Minor | 1 | 4A | 134 BPM | ||
| All my hope on God Is founded (arr. M.L. Jones ) [Arr. M.L. Jones] | Herbert Howells, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | E Minor | 2 | 9A | 103 BPM | ||
| Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 0 | 11A | 70 BPM | ||
| The Carol of the Angels | Choral Arts Northwest, Robert Bode | F Major | 2 | 7B | 113 BPM | ||
| Blessed is the man that endureth temptation | Harold Darke, The Choir of The Queen's College Oxford, Owen Rees, Molly Skeil | F Minor | 1 | 4A | 134 BPM | ||
| The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | ||
| Guide Me, O Thou Great Redeemer | John Hughes, Malcolm Archer, William Williams, Peter Williams, The Choir of Magdalen College, Oxford, Mark Williams | G Major | 1 | 9B | 86 BPM | ||
| There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | C Major | 1 | 8B | 76 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| Eternal Home | Christopher Enloe, Dan Forrest, Craig Courtney, Beckenhorst Singers | F Minor | 1 | 4A | 134 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Jazz Missa Brevis: Sanctus | Will Todd, St Martin's Voices | C Major | 2 | 8B | 95 BPM | ||
| O Little Rose, O Dark Rose | Gerda Blok-Wilson, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| We Three Kings | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | E Minor | 1 | 9A | 111 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM |