Rajesh Krishnan, Hamsalekha's ' "Namma Oora Chaluve" was released on its scheduled release date, March 18, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 6 in Bevu Bella by Hamsalekha. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Namma Oora Chaluve's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Namma Oora Chaluve by Rajesh Krishnan, Hamsalekha is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ninna Nambide | Sri Vidyabhushana | G Major | 5 | 9B | 89 BPM | ||
| Nanna Karulina Kudi Neenu | Gururaj Hosakote | C Major | 6 | 8B | 79 BPM | ||
| Nagaloka Bhuviyali | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Nanna Hudugi | Manu, S Mahendar, Hamsalekha | A Major | 10 | 11B | 132 BPM | ||
| Bettadarasi Chamundi | Sujatha Dutt, Sunitha Prakash | B Minor | 7 | 10A | 101 BPM | ||
| Hoovina Pallakki | Shabbir Daange | C Minor | 7 | 5A | 108 BPM | ||
| Naana Embudu | Mano | F Major | 7 | 7B | 161 BPM | ||
| Mathadu Mathadu | Nanditha | C Minor | 3 | 5A | 125 BPM | ||
| Kallagi Kulithihe Yeke | Shamitha Malnad, Ajay Warriar | G Minor | 9 | 6A | 150 BPM | ||
| Muththannu Biththida | Rajkumar | C Minor | 7 | 5A | 128 BPM | ||
| Yelliruve Thande Baro | Dr.Rajkumar | D♭ Major | 6 | 3B | 101 BPM | ||
| Bhogase Mogada | Loki Thawasya, Loki, Chethan Naik | C Minor | 4 | 5A | 132 BPM | ||
| Bubbu Baarage | Puttur Narasimha Nayak | D Major | 6 | 10B | 146 BPM | ||
| Dasana Madiko Enna | Medha Vidyabhushan | D♭ Major | 4 | 3B | 131 BPM | ||
| Koti Tarala | Rajesh Krishnan, Usha | B♭ Major | 4 | 6B | 82 BPM | ||
| Kanakadurga Navarathri | Ramu | C Major | 6 | 8B | 113 BPM | ||
| Kalavu Kaledogide Begane (From "Sukhibhavaa") | Subam, Pramod Maravanthe | C Major | 6 | 8B | 113 BPM | ||
| Amma Seethamma | Purnachandra, Mst. Puneeth | E Major | 3 | 12B | 108 BPM | ||
| Preethi Annodu | Rajesh Krishnan, Abhimann Roy | B♭ Major | 6 | 6B | 120 BPM | ||
| Nyayavemba Vastra - Studio | Surekha, Shamitha | B♭ Minor | 4 | 3A | 101 BPM | ||
| Thiyaagathin Uruve | Veeramanidaasan | G Minor | 8 | 6A | 117 BPM | ||
| Alamelu Manga | Nithya Santhoshini | C Major | 6 | 8B | 113 BPM | ||
| Mojugaarana | Mano, Manjula Gururaj, Hamsalekha | G Minor | 3 | 6A | 150 BPM | ||
| Baduku Ninnante Illa | L.N. Shastri | B♭ Major | 4 | 6B | 85 BPM | ||
| Kolalampur | Sulamangalam Sisters | F♯ Major | 8 | 2B | 152 BPM |