Bob Wills's ' "There's Not A Hundred Miles Left In Me" was released on its scheduled release date, January 1, 1969. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. There's Not A Hundred Miles Left In Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Time Changes Everything (Expanded Edition)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, There's Not A Hundred Miles Left In Me's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With There's Not A Hundred Miles Left In Me by Bob Wills having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Tombstone Every Mile | Dick Curless | C Major | 6 | 8B | 110 BPM | ||
| Bubbles In My Beer - 1961 Version | Bob Wills & Tommy Duncan with The Texas Playboys | D Major | 4 | 10B | 107 BPM | ||
| South Of The Border (Down Mexico Way) | Bob Wills | C Major | 2 | 8B | 140 BPM | ||
| My Poncho Pony | Patsy Montana | C Major | 3 | 8B | 119 BPM | ||
| Honky Tonk Song | Webb Pierce | C Major | 3 | 8B | 119 BPM | ||
| Pipeliner Blues | Moon Mullican | C Major | 4 | 8B | 105 BPM | ||
| Fox On The Run - Single Version | Tom T. Hall | G Major | 4 | 9B | 125 BPM | ||
| Another Honkeytonk Burned Down | Junior Brown | A Major | 5 | 11B | 133 BPM | ||
| Goodnight Little Sweetheart | Bob Wills & Tommy Duncan with The Texas Playboys | C Major | 1 | 8B | 88 BPM | ||
| Green Snakes (On the Ceiling) | Johnny Bush | G Major | 3 | 9B | 133 BPM | ||
| Tulsa Telephone Book | Tom T. Hall | F♯ Major | 5 | 2B | 152 BPM | ||
| Taxes, Taxes | Hank Penny | E♭ Major | 3 | 5B | 120 BPM | ||
| What Makes Bob Holler | The Texas Playboys | B♭ Major | 5 | 6B | 166 BPM | ||
| Sorrow on the Rocks | Porter Wagoner | D Major | 4 | 10B | 139 BPM | ||
| This Ole House | Tex Williams, Rex Allen | D Major | 7 | 10B | 120 BPM | ||
| I Want to Be with You Always | Lefty Frizzell | B♭ Major | 2 | 6B | 115 BPM | ||
| Mama Hated Diesels | Commander Cody and His Lost Planet Airmen | D Major | 4 | 10B | 105 BPM | ||
| Lyla Lou | Bob Wills | E♭ Major | 4 | 5B | 110 BPM | ||
| Couples Only | Wynn Stewart | G Major | 4 | 9B | 64 BPM | ||
| Boot Heel Drag | Bob Wills | B♭ Major | 4 | 6B | 181 BPM | ||
| Down in My Hometown | The Flatlanders | G Major | 3 | 9B | 133 BPM | ||
| One Has My Name (The Other Has My Heart) - 1948 Single | Jimmy Wakely | A Major | 1 | 11B | 133 BPM | ||
| Miles and Miles of Texas | Red Steagall | D Major | 4 | 10B | 114 BPM | ||
| Lorene | The Louvin Brothers | A Major | 3 | 11B | 167 BPM | ||
| The Leaf Of Love | Tex Williams | A Major | 2 | 11B | 92 BPM |