On November 22, 2000, the song "Chapak Chodi Tu Chapak" was released by Barkha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Barkha Rani's "Gaal Se Gaal Milav" album is number 4 out of 9. On top of that, India appears to be the country where this track was created. Chapak Chodi Tu Chapak is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Chapak Chodi Tu Chapak by Barkha Rani to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tongari Ke Bich Mein | Manoj Shahri, Bashir Ansari, Jyoti | A♭ Major | 6 | 4B | 98 BPM | ||
| Pakhla Maanu | Bharti Sharma | F♯ Minor | 9 | 11A | 146 BPM | ||
| Teri Yaadon Ne Hume Sharabi Bana Diya | Parmod Ajmeriya | G Minor | 9 | 6A | 90 BPM | ||
| Tuhi Gadiya Chalava | Barkha Rani | A♭ Minor | 9 | 1A | 160 BPM | ||
| Bhauji Ke Bahin | Vikash Jha, Swati Jha | B Major | 8 | 1B | 90 BPM | ||
| Musafir Laut Ke Ayiha | Shahid Mallya, Khushboo Jain | G Major | 9 | 9B | 100 BPM | ||
| Maati Ke Murtiya Bol Deehin | Ravinder Singh Jyoti | A Minor | 9 | 8A | 138 BPM | ||
| Sajhiye Se Sut Jayeeb | Kalpana | D Minor | 6 | 7A | 113 BPM | ||
| Wada Karke Na Aane Se Kya Fayda | Kumar Satyam | B♭ Minor | 9 | 3A | 149 BPM | ||
| Aaja Shyam Tu | Halke Ram Kushwah | A♭ Major | 9 | 4B | 142 BPM | ||
| Wahan wela | Damith Asanka | G Minor | 6 | 6A | 75 BPM | ||
| Pyar Mein Fansa Ke Rowa | Rekha Rani, Barkha Rani | A♭ Major | 8 | 4B | 85 BPM | ||
| Barsaat | Sanjay Kirade, Heena Dawar | G Major | 6 | 9B | 125 BPM | ||
| Kora Mein Uthala Balmu | Barkha Rani | D♭ Major | 6 | 3B | 103 BPM | ||
| Haan Pyar Hai | Kumar Pritam, Suman Gupta | B Major | 6 | 1B | 116 BPM | ||
| Na Paisa Na Bangla | Parveen Saba | F Minor | 8 | 4A | 180 BPM | ||
| Biaah Bhail Kawna Karam Ke | Barkha Rani | D Major | 9 | 10B | 154 BPM | ||
| Ae Mor Phool Jhadi | Satish Das, Kalyani Burman | B Minor | 9 | 10A | 85 BPM | ||
| Bagal Se Gujarelu | Ritesh Pandey | E Minor | 9 | 9A | 100 BPM | ||
| Kabar Me Ge Jaan | Sannu Kumar | A Major | 9 | 11B | 77 BPM | ||
| Payar Kare Se Pahile | Arjun Kumar, Karina Pandey | D♭ Major | 8 | 3B | 89 BPM | ||
| Amba Ke Bagicha Me | Bablu Khan, Sunaina Kachhap | F♯ Minor | 9 | 11A | 107 BPM | ||
| Tor Bina Lage Nahi Manwa | Satish Das | A♭ Major | 10 | 4B | 150 BPM | ||
| Tor Hansai Ma Phool | Dilip Dahariya, Sunita Dahariya | F Major | 8 | 7B | 83 BPM | ||
| Aana Aana Gori Chali Aana Re | Majbul Khan, Sangita | B♭ Minor | 8 | 3A | 135 BPM |