What is the BPM for オール・アイ・アスク・オブ・ユー by サンジュアン・ミュージック・オールスターズ?

The tempo for オール・アイ・アスク・オブ・ユー is 90 beats per a minute with a half-time of 45 BPM and a double-time of 180 BPM.

What is the music key for オール・アイ・アスク・オブ・ユー by サンジュアン・ミュージック・オールスターズ?

The music key for オール・アイ・アスク・オブ・ユー is D♭ Major or a camelot key of 3B.

オール・アイ・アスク・オブ・ユー by サンジュアン・ミュージック・オールスターズ Song Details

"オール・アイ・アスク・オブ・ユー" by サンジュアン・ミュージック・オールスターズ had its release date on September 12, 2025. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in オペラ座の怪人ハイライト, so we believe that "オール・アイ・アスク・オブ・ユー" is a single. In terms of popularity, オール・アイ・アスク・オブ・ユー is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of オール・アイ・アスク・オブ・ユー by サンジュアン・ミュージック・オールスターズ is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -13.244 dB
Acousticness: 90%
Danceability: 24%
Energy: 22%
Instrumentalness: 0%
Liveness: 10%
Loudness: 78%
Speechiness: 3%
Valence: 16%

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