Peter Frampton, Courtney Pine's ' "Boot It Up" was released on its scheduled release date, September 12, 2006. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 14 in Fingerprints by Peter Frampton. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Boot It Up is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Boot It Up by Peter Frampton, Courtney Pine is Presto (very, very fast), since this song has a tempo of 188 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Caught The Katy | Peter Frampton Band | B Major | 7 | 1B | 188 BPM | ||
| You Told Me That You Loved Me | Tommy Bolin | C Major | 7 | 8B | 96 BPM | ||
| Buffalo Nickel | Quinn Sullivan | G Major | 7 | 9B | 136 BPM | ||
| Satisfy Suzie | Lonnie Mack | B♭ Major | 9 | 6B | 133 BPM | ||
| But You Weren't There, Pt. 2 | Mark Taylor Project | G Minor | 9 | 6A | 117 BPM | ||
| I Should Know Better | Mark Selby | D Major | 9 | 10B | 204 BPM | ||
| Nine Pound Hammer | Mark Selby | A Major | 9 | 11B | 118 BPM | ||
| Don't Leave Me Here | Taj Mahal, Keb' Mo' | D Minor | 8 | 7A | 95 BPM | ||
| Never Works Out | Fitzkee Brothers, Natalie Brooke | G Minor | 9 | 6A | 117 BPM | ||
| Bloodsucking Leeches | Dixie Dregs | D Major | 7 | 10B | 101 BPM | ||
| She's 19 Years Old | Eric Steckel | D♭ Major | 7 | 3B | 173 BPM | ||
| Me And My Guitar | Peter Frampton Band | D Major | 8 | 10B | 97 BPM | ||
| Runnin' on Fumes | David Grissom | G Minor | 7 | 6A | 100 BPM | ||
| Where the Devil Makes His Deals | Albert Castiglia | G Major | 5 | 9B | 154 BPM | ||
| Good Time | Arc Angels | A Major | 8 | 11B | 92 BPM | ||
| Love Too Good | Jefferson Starship | D Minor | 5 | 7A | 92 BPM | ||
| Let the Big Dog Eat | Albert Castiglia | A Minor | 8 | 8A | 124 BPM | ||
| Always Believed in You | Arc Angels | C Major | 9 | 8B | 112 BPM | ||
| There's a Man | Nanette Workman, Peter Frampton | D♭ Major | 7 | 3B | 175 BPM | ||
| Not Forgotten | Peter Frampton | G Minor | 3 | 6A | 132 BPM | ||
| Skin & Bones | Duke Saturday | D Major | 8 | 10B | 115 BPM | ||
| Like It on Top | Ana Popovic, Keb’ Mo’ and Robben Ford | B♭ Minor | 8 | 3A | 94 BPM | ||
| Could Get Dangerous | Devon Allman's Honeytribe | E Minor | 8 | 9A | 94 BPM | ||
| A Memo | Robert Cray | C Major | 8 | 8B | 100 BPM | ||
| Cobra | Kim Simmonds, Savoy Brown | C Major | 5 | 8B | 108 BPM |