Harbor Skyline's 'Chosen Ones' had a release date set for 2004. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Harbor Skyline's "Messages in Ones and Zeros" album is number 4 out of 7. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Chosen Ones's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chosen Ones by Harbor Skyline to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Royalty Meets Tranquility | Kill Your Romeo | B♭ Major | 9 | 6B | 94 BPM | ||
| What Has Become of Me? | Oh Sweet Ransom | E Minor | 9 | 9A | 93 BPM | ||
| The Lock Box Redres | Bela Kiss | A♭ Minor | 10 | 1A | 103 BPM | ||
| A Perfect Smile and Broken Wings | Odd Project | F♯ Minor | 10 | 11A | 120 BPM | ||
| Two Minutes in Hell | He Said She's Dead | D♭ Minor | 10 | 12A | 145 BPM | ||
| You Tell Me | Yesterdays Rising | F Major | 10 | 7B | 109 BPM | ||
| Take The Pain Away | Reclaim The Fallen | B♭ Major | 9 | 6B | 167 BPM | ||
| There Are Three Sides to Every Story | Until This Day | A♭ Major | 9 | 4B | 180 BPM | ||
| I Have a Problem With Tangents | Scenic Attraction | E Major | 9 | 12B | 115 BPM | ||
| Be Good Princess | Kiss Me Kiss That | B♭ Major | 8 | 6B | 100 BPM | ||
| Two Wrongs Make Me Write | Saravain | D Major | 9 | 10B | 128 BPM | ||
| Finger In Your Throat | A Trunk Full of Dead Bodies | F♯ Minor | 10 | 11A | 110 BPM | ||
| Your Picture's Worth a Thousand Lies | Farewell Unknown | C Major | 9 | 8B | 120 BPM | ||
| Be Careful, There's Quicksand | Novemberkills | D Major | 9 | 10B | 170 BPM | ||
| Choreographed Comedy Acts That End With Dead Clowns | Worthless Without | C Minor | 9 | 5A | 99 BPM | ||
| When In Panama | The Aubrey Drive | F Major | 10 | 7B | 93 BPM | ||
| Blown Away - radio edit | Novemberkills | A Minor | 10 | 8A | 100 BPM | ||
| A Deceitful Tongue Is Like a Sharpened Knife | Blessed Is He | B♭ Major | 9 | 6B | 117 BPM | ||
| Even | Albert React | D Minor | 8 | 7A | 173 BPM | ||
| The Detectives Haven't Ruled out Arson | Asteria | D Major | 9 | 10B | 90 BPM | ||
| Don't Get In The Boat | Abandon The Shore | F Minor | 10 | 4A | 92 BPM | ||
| Iodine & Razorblades | Clarity Process | C Major | 10 | 8B | 125 BPM | ||
| Ravishing Matt Ruth | Chiodos | E Minor | 9 | 9A | 186 BPM | ||
| The Return Of September | Harbor Skyline | D♭ Minor | 8 | 12A | 140 BPM | ||
| At the Back Door | Holiday Unheard Of | D Minor | 9 | 7A | 96 BPM |