"Vaughan Williams: The Lark Ascending" by Ralph Vaughan Williams, Sir Adrian Boult, Hugh Bean, New Philharmonia Orchestra had its release date on January 1, 1987. This song appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Serenade to Music, The Lark Ascending, Fantasia on Greensleeves, English Folk Song Suite, In the Fen Country & Northfolk Rhapsody No. 1 by Ralph Vaughan Williams, Sir Adrian Boult. The song's track number on the album is #8 out of 8 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Vaughan Williams: The Lark Ascending is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: The Lark Ascending by Ralph Vaughan Williams, Sir Adrian Boult, Hugh Bean, New Philharmonia Orchestra has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vaughan Williams: The Lark Ascending being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Monti: Csárdás (Arr. Parhamovsky for Violin and Ensemble) | Vittorio Monti, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | D Minor | 2 | 7A | 101 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 78 BPM | ||
| Riverdance, A Symphonic Suite: XI. Cloudsong, Riverdance | Bill Whelan, RTÉ National Symphony Orchestra, David Brophy | E Minor | 3 | 9A | 73 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 85 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O 14: 2. Andante | Felix Mendelssohn, Nicola Benedetti, Academy of St. Martin in the Fields, James MacMillan | C Major | 1 | 8B | 92 BPM | ||
| Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
| Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Minor | 0 | 4A | 92 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Pärt: Fratres (1980 Version for Violin and Piano) | Arvo Pärt, Tasmin Little, Martin Roscoe | D Major | 0 | 10B | 63 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
| Piano Concerto No. 6 in C Major, H. 49: II. Larghetto | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | E Major | 0 | 12B | 79 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': IV. Lento – Moderato maestoso | Ralph Vaughan Williams, Sarah Fox, Sir Mark Elder, Hallé | F Major | 0 | 7B | 67 BPM | ||
| Symphony No. 5 in D Major: III. Romanza: Lento | Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels | D♭ Minor | 1 | 12A | 92 BPM | ||
| Scottish Fantasy, Op. 46: 3. Andante sostenuto | Max Bruch, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald | A♭ Major | 1 | 4B | 102 BPM | ||
| Wilde | Debbie Wiseman | F Major | 7 | 7B | 120 BPM | ||
| Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Julian Bliss, Mario Venzago, Royal Northern Sinfonia | D Major | 0 | 10B | 97 BPM | ||
| II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Kozlowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM | ||
| Vaughan Williams: Fantasia on a Theme by Thomas Tallis | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Major | 0 | 9B | 93 BPM | ||
| Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM |