"The three ravens - Arr. pour ensemble baroque" by Thomas Ravenscroft, La Cetra d'Orfeo, Michel Keustermans, Marie de Roy had its release date on January 1, 2013. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michel Keustermans, La Cetra d'Orfeo's "Lavender's Blue (Chansons, Ballades, Country, Dance)" album is number 3 out of 26. On top of that, Belgium appears to be the country where this track was created. The three ravens - Arr. pour ensemble baroque is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The three ravens - Arr. pour ensemble baroque by Thomas Ravenscroft, La Cetra d'Orfeo, Michel Keustermans, Marie de Roy to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messe solenelle, Op. 16 : Anus Dei | Francis Bardot, Choeur d'enfants de l'Opéra national de Paris, Maîtrise des Hauts-de-Seine | E Major | 2 | 12B | 141 BPM | ||
| Saltarello detto Trivella | Orazio Vecchi, Paul O'Dette, The King's Noyse, David Douglass | D Minor | 0 | 7A | 63 BPM | ||
| Lully, lulla, thou little tiny child | Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson | C Major | 1 | 8B | 78 BPM | ||
| Willy prithee go to bed | Thomas Ravenscroft, The Toronto Consort | D♭ Major | 2 | 3B | 172 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Ave Maria | James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom Wilkinson | B Minor | 2 | 10A | 69 BPM | ||
| Requiem: Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
| Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
| Magi veniunt | Jacob Clemens non Papa, New York Polyphony | A♭ Minor | 1 | 1A | 81 BPM | ||
| Passion Week, Op. 13: VII. The Noble Joseph | Maximilian Steinberg, Cappella Romana, Alexander Lingas | A Minor | 0 | 8A | 74 BPM | ||
| Ave Maria | Josquin des Prez, Voices of Ascension Chorus, Dennis Keene | C Major | 1 | 8B | 136 BPM | ||
| There were 3 Ravens | Thomas Ravenscroft, Baltimore Consort | C Major | 1 | 8B | 96 BPM | ||
| O King of the Nations (O Rex Gentium - 22 December) | David Ogden, St Martin's Voices, Andrew Earis | B Minor | 1 | 10A | 97 BPM | ||
| Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | ||
| Regnum mundi et omne ornatum, IJL 13 | Jean L'héritier, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 81 BPM | ||
| Surely He Has Borne Our Griefs | Richard Hillert | E♭ Major | 2 | 5B | 66 BPM | ||
| Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
| O nata lux de lumine | Thomas Tallis, Andrew Parrott, Taverner Choir, Taverner Consort | A♭ Minor | 1 | 1A | 78 BPM | ||
| Elgar: 5 Part Songs from the Greek Anthology, Op. 45: No. 1, Yea, Cast Me from Heights of the Mountains | Edward Elgar, Baccholian Singers of London | E♭ Major | 0 | 5B | 129 BPM | ||
| A Round of Three Country Dances in One | Thomas Ravenscroft, Serendipity | E Minor | 0 | 9A | 139 BPM | ||
| A Round of Three Country Dances In One | Thomas Ravenscroft, Antiquocanto, Il Biancofiore | F Minor | 5 | 4A | 106 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
| Adoramus te Christe | Claudio Monteverdi, Giovanni Togni, World Chamber Choir | G Major | 1 | 9B | 83 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM |