"Concerto No. 10 in C Major, Op. 6: III. Adagio" by Arcangelo Corelli, Musica Amphion, Rémy Baudet, Sayuri Yamagata, Richte Van Der Meer, Hank Heyink, Pieter-Jan Belder had its release date on 2010. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 313 out of 336 in Corelli: Complete Edition by Arcangelo Corelli, Musica Amphion, Rémy Baudet, Pieter-Jan Belder. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Concerto No. 10 in C Major, Op. 6: III. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 10 in C Major, Op. 6: III. Adagio by Arcangelo Corelli, Musica Amphion, Rémy Baudet, Sayuri Yamagata, Richte Van Der Meer, Hank Heyink, Pieter-Jan Belder is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ciaccona, Op. 12 No. 20 | Tarquinio Merula, Tafelmusik Baroque Orchestra, Elisa Citterio | C Major | 1 | 8B | 113 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 153 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
| Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
| Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6/1: V. Allegro | Arcangelo Corelli, Roy Goodman, Brandenburg Consort | A Major | 1 | 11B | 140 BPM | ||
| Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
| Sinfonia in D Major: III. Scherzando: Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 3 | 10B | 109 BPM | ||
| Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
| V. Réjouissance | Georg Philipp Telemann, L'Orfeo Barockorchester, Carin van Heerden | F♯ Minor | 5 | 11A | 130 BPM | ||
| Symphony in C Major, Op. 1, No. 6 (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | ||
| Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
| Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM | ||
| Bassoon Concerto in C Minor: II. Vivace | Christoph Graupner, Paolo Tognon, Capella Savaria, Pal Nemeth | B Minor | 1 | 10A | 116 BPM | ||
| Sinfonia in A Major: II. Andante | Giuseppe Sammartini, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Var. XVI - XXIII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 134 BPM | ||
| Symphony in F Major, J-C 36: I. Presto | Giovanni Battista Sammartini, Milan Classical Chamber Orchestra, Roberto Gini | F Major | 1 | 7B | 75 BPM | ||
| Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
| Concerto grosso No. 5 in D Minor: I. Largo (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | E Minor | 2 | 9A | 140 BPM | ||
| Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
| Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : IV Allegro assai | Evaristo Felice Dall'Abaco, Concerto Köln | E Major | 3 | 12B | 117 BPM | ||
| Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude | Henry Purcell, Emil Klein | G Minor | 2 | 6A | 136 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM |