"Red Red" by Plush Sanches had its release date on August 15, 2025. Red Red is 2 minutes and 22 seconds long and may contain bad words that may be unsuitable for children. There are a total of 7 in the song's album "Reporting Live Part. 1". In this album, this song's track order is #4. Based on our statistics, Red Red's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Red Red by Plush Sanches having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Treated like Animals | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Departure | Matthias Weber | D Major | 1 | 10B | 140 BPM | ||
| The Vision | Sonum | E Minor | 3 | 9A | 120 BPM | ||
| Monumental | Solis | A Major | 4 | 11B | 140 BPM | ||
| Sonogram | Atli Örvarsson | F Minor | 3 | 4A | 110 BPM | ||
| The Slap | Tony Morales | E Minor | 0 | 9A | 114 BPM | ||
| Byrðr | Hampus Naeselius | G Minor | 3 | 6A | 110 BPM | ||
| a lot | 21 Savage | D♭ Major | 6 | 3B | 146 BPM | ||
| Tension | Avery Alexander | D♭ Major | 8 | 3B | 99 BPM | ||
| We've Been Robbed | Kevin Matley | G Major | 4 | 9B | 119 BPM | ||
| From Beneath | Blake Neely | B♭ Minor | 4 | 3A | 90 BPM | ||
| Crimson Blood | Andrew Lockington | B♭ Major | 1 | 6B | 74 BPM | ||
| La force du faible | CHLOE (Thévenin) | D Major | 4 | 10B | 67 BPM | ||
| I Failed You | Mac Quayle | D Major | 4 | 10B | 67 BPM | ||
| Accepting What We Can't Accept | Chanda Dancy | G Minor | 1 | 6A | 85 BPM | ||
| That's It | Plush Sanches | C Major | 2 | 8B | 131 BPM | ||
| Initiate The Tow | Henry Jackman | D Major | 4 | 10B | 100 BPM | ||
| The War Machine | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Muspelheim | G. Strizzolo | D Major | 2 | 10B | 64 BPM | ||
| Strings Attached | Halo, Sean Callery, Colin Stetson | C Major | 2 | 8B | 94 BPM | ||
| See You Around | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Bracelet Reveal | Mac Quayle | D Major | 4 | 10B | 67 BPM | ||
| Pill Crush | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Orchestral Drone G | The Paris House Orchestra | D Major | 4 | 10B | 67 BPM | ||
| Lost the Moment | Or Chausha | F♯ Minor | 6 | 11A | 126 BPM |