Grupo de Capoeira Angola Pelourinho's ' "Toques Tradicionais: Iúna (Traditional Rhythms)" was released on its scheduled release date, January 23, 1996. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Toques Tradicionais: Iúna (Traditional Rhythms)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 39 in Capoeira Angola from Salvador, Brazil by Grupo de Capoeira Angola Pelourinho. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Toques Tradicionais: Iúna (Traditional Rhythms) is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Toques Tradicionais: Iúna (Traditional Rhythms) by Grupo de Capoeira Angola Pelourinho is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Puxada de Rede | Orquestra de Berimbaus do Morro do Querosene | A Minor | 4 | 8A | 94 BPM | ||
| Òríkìn Lògùn | Sergio D Ogun | E♭ Minor | 7 | 2A | 132 BPM | ||
| Eu Vou Dizer a Meu Senhor | Mestre Plinio, Mestre Moa do Katende | C Major | 5 | 8B | 72 BPM | ||
| Amazonas | Mestre Kenura | D♭ Major | 5 | 3B | 83 BPM | ||
| Berimbau Chorou (CM Chuvisquinho) | Capoeira Luanda, Mestre Jelon | A♭ Major | 7 | 4B | 89 BPM | ||
| O Som da Minha Viola | Mestre Barrão | B♭ Major | 5 | 6B | 88 BPM | ||
| O Lalae, Lalae, Lalaela | Mestre Plinio, Mestre Jogo de Dentro | D♭ Minor | 6 | 12A | 152 BPM | ||
| Axé | Carolina Soares | B Major | 6 | 1B | 83 BPM | ||
| Ladainha Santo Amaro | Mestre Felipe de Santo Amaro | B♭ Minor | 7 | 3A | 81 BPM | ||
| JOÃO CAVEIRA NA GUARDA DO CAMINHO (Ponto De João Caveira) | Umbanda Brasil, Pontos de Umbanda e Candomblé | D♭ Major | 5 | 3B | 96 BPM | ||
| Maculelê | Dana Maman | D♭ Major | 8 | 3B | 119 BPM | ||
| Vem Jogar Mas Eu | Centro Ypiranga de Pastinha | E♭ Minor | 4 | 2A | 145 BPM | ||
| Prata Madurinha/Lalalaêê.. | Vovô Capoeira | E Major | 5 | 12B | 80 BPM | ||
| Rei Zumbi dos Palmares: Santa Bárbara | Grupo de Capoeira Angola Pelourinho | C Minor | 4 | 5A | 133 BPM | ||
| O Que é Ser Bom | Bode Veio | B♭ Minor | 4 | 3A | 135 BPM | ||
| Escola Viva | Mestre Plinio, Mestre Moa do Katende | F♯ Major | 3 | 2B | 125 BPM | ||
| Quem Vem de Lá | Grupo Nzinga | F♯ Major | 5 | 2B | 129 BPM | ||
| Corta Capim Aí - Ao Vivo | Mestre Moreira Expressão | E♭ Major | 4 | 5B | 98 BPM | ||
| Jaca Pé da Jurema | Mestra Di | E♭ Minor | 4 | 2A | 122 BPM | ||
| Tira Eu da Senzala Sinhá (Full Version) | Mestre Irmão, Graduada Luluzinha | E Minor | 4 | 9A | 148 BPM | ||
| Atenda ao chamado | Abadá Capoeira - Vozes e Ritmos, Mestrando Brancão (Abadá-Capoeira) | C Major | 5 | 8B | 87 BPM | ||
| Eu Levo a Vida | Capoeira Nagô | D♭ Minor | 6 | 12A | 84 BPM | ||
| Ai Ai Aidé | Mestre Jogo de Dentro | F♯ Major | 6 | 2B | 178 BPM | ||
| Binóco Véio/ Sai daí sai daí/ Ooh iáiá meu sinhô mandou chama - Live | James Berimbau, Dj Capoeira | G Minor | 5 | 6A | 114 BPM | ||
| Capoeira É Arma Forte | Grupo Nzinga | F♯ Major | 5 | 2B | 118 BPM |