Franco Ferraris, Sinfonia Of London, Franco Corelli's 'Addà Turnà' had a release date set for 1996. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 45 in the song's album "Neapolitan Songs, Sacred Songs & Arias". In this album, this song's track order is #5. In terms of popularity, Addà Turnà is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Addà Turnà by Franco Ferraris, Sinfonia Of London, Franco Corelli having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Giovanni, K.527 / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Cesare Siepi, Wiener Philharmoniker, Josef Krips | E♭ Minor | 5 | 2A | 62 BPM | ||
| La Wally: Acto I: "Ebbene, ne Andró Lontana" | Victoria de los Ángeles | E Minor | 2 | 9A | 83 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
| Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | ||
| I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
| Caro mio ben | Giuseppe Giordani, Ramón Vargas | G Major | 2 | 9B | 91 BPM | ||
| Violino tzigano | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 47 BPM | ||
| Fedora: Amor ti vieta | Umberto Giordano, Enrico Caruso, Vienna Radio Symphony Orchestra, Gottfried Rabl | C Major | 2 | 8B | 99 BPM | ||
| Una Furtiva Lagrima (Acto II) - L'Elisir d'Amore | Tito Schipa | B♭ Minor | 1 | 3A | 78 BPM | ||
| Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
| Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre à ta voix (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, José Cura, Olga Borodina, London Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
| Rossini: Il barbiere di Siviglia, Act 2: Cavatina. "Una voce poco fà" (Rosina) | Gioachino Rossini, James Levine, Beverly Sills, London Symphony Orchestra | F Major | 2 | 7B | 133 BPM | ||
| Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 81 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
| Verdi: Il Trovatore / Act 3 - "Di qual tetra luce...Ah sì ben mio...Di quella pira" | Luciano Pavarotti, Gildis Flossmann, Vienna Opera Chorus, Nicola Rescigno, Peter Baillie, Vienna Opera Orchestra | A♭ Major | 2 | 4B | 88 BPM | ||
| Bizet: Carmen, Act 3: "C'est des contrebandiers....Je dis, que rien ne m'épouvante" (Micaëla) | Georges Bizet, Andréa Guiot/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E♭ Major | 1 | 5B | 86 BPM | ||
| Rigoletto / Act 1: "Questa o quella" | Giuseppe Verdi, Neil Shicoff, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | A♭ Major | 3 | 4B | 108 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| La fanciulla del West, Act III: Ch'ella mi creda | Giacomo Puccini, Plácido Domingo, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden | A Major | 1 | 11B | 104 BPM | ||
| 'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM |