Traditional, Russell Braun, Toronto Mendelssohn Choir, John Rutter's 'Rise up, shepherd, and follow (Arr. J. Rutter)' had a release date set for January 1, 2000. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Rise up, shepherd, and follow (Arr. J. Rutter)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Magic Of Christmas". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Canada. Based on our statistics, Rise up, shepherd, and follow (Arr. J. Rutter)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rise up, shepherd, and follow (Arr. J. Rutter) by Traditional, Russell Braun, Toronto Mendelssohn Choir, John Rutter having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| Jesu, Son Most Sweet and Dear, from Anniversary Carols | Jackson Berkey, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | A♭ Major | 1 | 4B | 112 BPM | ||
| Guide Me, O Thou Great Redeemer | John Hughes, Malcolm Archer, William Williams, Peter Williams, The Choir of Magdalen College, Oxford, Mark Williams | G Major | 1 | 9B | 86 BPM | ||
| Sicut Cervus Desiderat | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | E♭ Minor | 1 | 2A | 72 BPM | ||
| Béthléem | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | C Major | 0 | 8B | 79 BPM | ||
| Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Gabriel's Message - Full Version | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | D Minor | 1 | 7A | 96 BPM | ||
| Miserere | Antonio Lotti, Cantores Minores Ensemble, Filip Hayrynen | A♭ Minor | 2 | 1A | 108 BPM | ||
| Listen sweet Dove | Grayston Ives, The Choir of Magdalen College, Oxford, Bill Ives, Jonathan Hardy | E♭ Major | 1 | 5B | 72 BPM | ||
| To the Mothers in Brazil: Salve Regina | London Oriana Choir, Dominic Peckham | D♭ Minor | 1 | 12A | 126 BPM | ||
| Alta trinità beata (Italien, 15. Jahrhundert) | Collegium Vocale Hirschaid | F Major | 1 | 7B | 64 BPM | ||
| Cor Misericordiae | Chants From the Holyland- Graz Gregorian Chants School of Austri, Our Lady of Fatima Kongowea Catholic Choir, Coro De La Abadía Benedictina De Santo Domingo De Silos, Father Boyd | B♭ Minor | 1 | 3A | 83 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Zion hort die Wachter singen (Arr. For trumpet and organ) | Johann Sebastian Bach, John Roderick MacDonald, Martin Stephan | E♭ Major | 0 | 5B | 73 BPM | ||
| Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 112 BPM | ||
| Takach: ’Twas in the Moon of Wintertime | Timothy C. Takach, Ames Chamber Artists | G Major | 1 | 9B | 91 BPM | ||
| O Tannebaum | Traditional, Melos Brass, Sankt Florianer Sängerknaben | F Major | 1 | 7B | 100 BPM | ||
| Advent Antiphon | James MacMillan, Anna Steppler, Choir of Merton College, Oxford, Christopher Watson, Benjamin Nicholas | B Minor | 1 | 10A | 74 BPM | ||
| Christ the Lord is Born Today, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 2 | 9B | 81 BPM | ||
| Mystic Reflections for Healing | Wonderworker, The Choir of Eparchy of Tripoli | A Minor | 4 | 8A | 106 BPM | ||
| Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
| Variations on Winter from Vivaldi's Four Seasons: Texas Rain | Turtle Island String Quartet | A Major | 1 | 11B | 178 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 1 | 5B | 139 BPM | ||
| Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
| Karjased, oh öelge meile | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 2 | 9B | 81 BPM |