Ariel Marx's 'Molly & G' had a release date set for April 4, 2025. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 18 in Dying for Sex (Original Soundtrack) by Ariel Marx. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Molly & G is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Molly & G by Ariel Marx is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Pot with No Drainage | Ariel Marx | G Major | 7 | 9B | 107 BPM | ||
| Molly's Dance | Ariel Marx | C Major | 4 | 8B | 134 BPM | ||
| Do You Believe Me? | Aaron May, David Ridley | D Minor | 0 | 7A | 79 BPM | ||
| Shaping My Movements | Roger Goula, Sam Thompson | G Major | 5 | 9B | 176 BPM | ||
| Meta | Niall Breslin | G Minor | 2 | 6A | 79 BPM | ||
| Breaking The Circle | Cornel Wilczek, Alex Olijnyk, The Newmarket Collective | G Major | 2 | 9B | 75 BPM | ||
| Waltz and Dazzle | Marcelo Zarvos | E Minor | 0 | 9A | 151 BPM | ||
| The Quiet Was Loud (Winter's Past) | Joe Galuszka | E Minor | 3 | 9A | 83 BPM | ||
| The Void | Ariel Marx | C Minor | 0 | 5A | 170 BPM | ||
| Sardinia | Atli Örvarsson | G Minor | 3 | 6A | 82 BPM | ||
| Secret Love | Ruth Barrett | B♭ Minor | 0 | 3A | 67 BPM | ||
| Swimming Away | Dan Deacon | F Minor | 1 | 4A | 152 BPM | ||
| Toxicity | Lucas Peire, Frank Montasell | D♭ Major | 8 | 3B | 101 BPM | ||
| All Things Come To An End | Lorne Balfe | D♭ Major | 3 | 3B | 140 BPM | ||
| On the Edge of Nowhere | Jeff Danna | A Major | 1 | 11B | 53 BPM | ||
| Adjoining Rooms | Will Bates | G Major | 3 | 9B | 106 BPM | ||
| Why Did He Leave Us? | Bobby Krlic | E Major | 2 | 12B | 84 BPM | ||
| Madame Suzanne | Alexandre Desplat | A♭ Major | 3 | 4B | 102 BPM | ||
| Lazarus | Sarah Warne | E♭ Major | 4 | 5B | 186 BPM | ||
| We Got Something | Ariel Marx | A Minor | 3 | 8A | 180 BPM | ||
| She Might Be Scared of You | Luke Richards | E Minor | 1 | 9A | 92 BPM | ||
| Nuclear Czar | Marcelo Zarvos | D Minor | 2 | 7A | 144 BPM | ||
| Raíces al Viento | Aukai | C Major | 5 | 8B | 120 BPM | ||
| Deep Water | Rob Simonsen | A♭ Major | 2 | 4B | 67 BPM | ||
| Love | Chris Roe | F♯ Minor | 2 | 11A | 101 BPM |