"Concerto for oboe & strings (1977): III. Elegy. In Memoriam Benjamin Britten. Andantino" by Michael Berkeley, Janet Craxton, Raymond Leppard, BBC Northern SO had its release date on December 1, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in English Oboe Concertos by Janet Craxton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Concerto for oboe & strings (1977): III. Elegy. In Memoriam Benjamin Britten. Andantino is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for oboe & strings (1977): III. Elegy. In Memoriam Benjamin Britten. Andantino by Michael Berkeley, Janet Craxton, Raymond Leppard, BBC Northern SO is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A room (Two Pieces for Harp) - 1942 | John Cage, Floraleda Sacchi | D♭ Minor | 1 | 12A | 86 BPM | ||
| The Flood (1961-62): Prelude: "Te Deum laudamus" | Igor Stravinsky, David Wilson-Johnson, Peter Hall, Michael Berkeley, London Sinfonietta, New London Children's Choir, Oliver Knussen, James Wood | E Major | 1 | 12B | 181 BPM | ||
| The 3rd Rail | Ian Hunter, Jeff Beck, Johnny Depp | A♭ Major | 7 | 4B | 110 BPM | ||
| Tunnel 13 | Mark Knopfler | B Minor | 2 | 10A | 78 BPM | ||
| Ravel Bolero Variation (After Bolero, M. 81, Arr. for Piano by Tim Allhoff) | Maurice Ravel, Louis Philippson | C Major | 2 | 8B | 140 BPM | ||
| Eden | Al Di Meola, Siuxx | C Major | 7 | 8B | 150 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Oslo Philharmonic Orchestra, Klaus Mäkelä | C Major | 1 | 8B | 150 BPM | ||
| Strozzi: Che si può fare? (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | D Minor | 2 | 7A | 98 BPM | ||
| Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — | Frederick Delius, The Carice Singers, George Parris | A Major | 2 | 11B | 130 BPM | ||
| Speaking Silence: No. 3, And Is It Night? | Michael Berkeley, Alice Coote, Julius Drake | A Minor | 1 | 8A | 113 BPM | ||
| Ancient Love | Mercury Rev | A♭ Major | 8 | 4B | 148 BPM | ||
| Hammers (Arr. Knoth for Solo Violin, Piano, Strings & Electronics) | Nils Frahm, Mari Samuelsen, Soyoung Yoon, Christian Badzura, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 1 | 6B | 97 BPM | ||
| Lose Blätter, Op. 13: VIII. Sarabande | Max Reger, Irene Cantos | D Minor | 0 | 7A | 69 BPM | ||
| Jane Eyre, Act I: And are there those in this house who love me? (Rochester, Voice of Mrs. Rochester) | Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Emily Bauer-Jones | D♭ Major | 1 | 3B | 88 BPM | ||
| Flume | Peter Gabriel | B Major | 0 | 1B | 81 BPM | ||
| Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Thomas Dunford | E Major | 0 | 12B | 80 BPM | ||
| 24 Préludes, Op. 28: No. 4 in E Minor, Largo (Arr. for Cello and Piano by A. Franchomme) [Adapted by C. Thomas] | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 2 | 10B | 176 BPM | ||
| Jane Eyre, Act I: The sound of a horse - Ah, Miss Eyre, there you are (Rochester, Jane) | Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh | F♯ Major | 0 | 2B | 69 BPM | ||
| Snake | Michael Berkeley, Nicola Hands | C Major | 0 | 8B | 130 BPM | ||
| Catherine Of Aragon - Live, The London Palladium, 22 February 2023 | Rick Wakeman | E♭ Major | 7 | 5B | 107 BPM | ||
| Palladio Reimagined: 2. Largo | Karl Jenkins, Royal Philharmonic Orchestra | E♭ Major | 2 | 5B | 87 BPM | ||
| Étude No. 1: Playing Games | Marie Awadis | A♭ Major | 0 | 4B | 55 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | D Major | 3 | 10B | 113 BPM |