On June 1, 1980, the song "Take This Job and Shove It Too" was released by David Allan Coe. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Take This Job and Shove It Too's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Allan Coe's "I've Got Something to Say" album is number 10 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of Take This Job and Shove It Too is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Take This Job and Shove It Too by David Allan Coe to be Presto (very, very fast) because the track has a tempo of 193 BPM, a half-time of 96BPM, and a double-time of 386 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who Do You Know In California | Eddy Raven | A Major | 6 | 11B | 118 BPM | ||
| Hello Daddy, Good Morning Darling | Mel McDaniel | C Major | 5 | 8B | 104 BPM | ||
| Psycho Bitch From Hell | Roger Alan Wade | E Major | 6 | 12B | 138 BPM | ||
| Bell Mountain | Gethen Jenkins | D Major | 7 | 10B | 102 BPM | ||
| Right Hand Man | Eddy Raven | G Major | 5 | 9B | 130 BPM | ||
| The Whiskey Ain't Workin' (feat. Marty Stuart) | Travis Tritt, Marty Stuart | G Major | 6 | 9B | 124 BPM | ||
| Redneck Riviera | Tom T. Hall | G Major | 7 | 9B | 114 BPM | ||
| Modern Day Bonnie and Clyde | Travis Tritt | A Minor | 9 | 8A | 90 BPM | ||
| Loving Blind | Clint Black | A Major | 4 | 11B | 81 BPM | ||
| She Got the Goldmine (I Got the Shaft) | Jerry Reed | A Major | 7 | 11B | 111 BPM | ||
| Rodeo Clown | Mac Davis | E Major | 4 | 12B | 139 BPM | ||
| Jose Cuervo | Shelly West | G Major | 6 | 9B | 115 BPM | ||
| I Want My Rib Back | Keith Whitley | G Major | 8 | 9B | 120 BPM | ||
| Next of Kin | Johnny Paycheck | A Major | 5 | 11B | 137 BPM | ||
| On the Other Hand | Keith Whitley | E Major | 3 | 12B | 103 BPM | ||
| The King Is Gone (So Are You) | George Jones | G Major | 3 | 9B | 117 BPM | ||
| Little Ways | Dwight Yoakam | G Major | 7 | 9B | 138 BPM | ||
| Beats All I've Ever Seen | Dallas Moore | D Major | 5 | 10B | 99 BPM | ||
| Long Line of Losers | Montgomery Gentry | D Major | 7 | 10B | 148 BPM | ||
| I Never Go Around Mirrors | Merle Haggard & The Strangers | E♭ Major | 3 | 5B | 108 BPM | ||
| A Headache Tomorrow (Or A Heartache Tonight) | Mickey Gilley | F Major | 4 | 7B | 107 BPM | ||
| Operator, Operator | Eddy Raven | A Major | 5 | 11B | 118 BPM | ||
| Mama Tried | David Allan Coe | D Major | 4 | 10B | 97 BPM | ||
| Stereo | Rebel Son | F♯ Minor | 9 | 11A | 190 BPM | ||
| What Have You Got to Lose | Tom T. Hall | E Major | 5 | 12B | 174 BPM |