On August 29, 2019, the song "CJ Would Like a Word" was released by Eli Rainsberry. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. CJ Would Like a Word's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wilmot's Warehouse (Original Game Soundtrack) by Eli Rainsberry. The song's track number on the album is #10 out of 14 tracks. The popularity of CJ Would Like a Word is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since CJ Would Like a Word by Eli Rainsberry has a tempo of 176 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With CJ Would Like a Word being at 176 BPM, the half-time would be 88 BPM with a double-time of 352 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Howling Fjord "Prelude" | Robin Appelqvist | A♭ Minor | 3 | 1A | 100 BPM | ||
| Träsket | Joel Bille | G Minor | 7 | 6A | 116 BPM | ||
| A Short Flight | Mark Sparling | G Minor | 1 | 6A | 80 BPM | ||
| Petrichor | Laryssa Okada | G Minor | 1 | 6A | 80 BPM | ||
| Sentimental Dreamer | Matt Christensen, John Reeves | G Major | 0 | 9B | 77 BPM | ||
| Pine Needles | Launchable Socks | D Major | 1 | 10B | 113 BPM | ||
| Crepusculum | Emile van Krieken | E♭ Minor | 2 | 2A | 127 BPM | ||
| Vagrant's Rest (A Place to Call Home) | e.hillman | A♭ Major | 1 | 4B | 120 BPM | ||
| Own Two Feet | Jeff van Dyck | A Minor | 4 | 8A | 130 BPM | ||
| Kodama's Nocturne | Slide20xx | D♭ Major | 1 | 3B | 100 BPM | ||
| Through the Archway | Eli Rainsberry | A♭ Major | 0 | 4B | 69 BPM | ||
| Guild Hall | Pedro Silva | D Major | 3 | 10B | 78 BPM | ||
| Soundscape II: Secret Forest | Jay Tholen | C Major | 3 | 8B | 85 BPM | ||
| Ripple Reef (Recovering) | quarkimo | F♯ Major | 0 | 2B | 71 BPM | ||
| Beneath a Birchen Moon | Aaron Cherof | E♭ Major | 2 | 5B | 77 BPM | ||
| Mother & Child | Todd Baker | A Minor | 2 | 8A | 50 BPM | ||
| Day Five Evening Suite | Alessandro Coronas | B Minor | 1 | 10A | 105 BPM | ||
| On The 196 | Eli Rainsberry | D♭ Major | 3 | 3B | 150 BPM | ||
| Shallow Waters | Max LL | G Major | 0 | 9B | 180 BPM | ||
| Prelud: Huset | Joel Bille, Bortre Rymden | D Minor | 2 | 7A | 192 BPM | ||
| Observatory | Eli Rainsberry | G Minor | 2 | 6A | 99 BPM | ||
| See You at the Top (Short Hike) | Mark Sparling | G Major | 5 | 9B | 155 BPM | ||
| Starting Scene | Rutger Zuydervelt | C Major | 1 | 8B | 67 BPM | ||
| Forests and Bubbles and Blips and Stuff... | OSC | G Major | 2 | 9B | 133 BPM | ||
| Fe | Joel Bille | A Minor | 2 | 8A | 50 BPM |