Isy's 'ozana' had a release date set for October 24, 2024. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since ozana only contains only one song in the album, we like to consider this song as a single. In terms of popularity, ozana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ozana by Isy having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Freakquenzies | HEALING ME | G Major | 3 | 9B | 104 BPM | ||
| GETOUT MEN 026 | Taram Tula | D♭ Major | 5 | 3B | 76 BPM | ||
| What You're After Has Been Lost | Michael Gelinas | F Major | 1 | 7B | 77 BPM | ||
| The Ups And Downs Of Chewing Gum | Roberto Musci | G Minor | 5 | 6A | 200 BPM | ||
| Cables Y Mariposas | dj Rosali | E Minor | 9 | 9A | 151 BPM | ||
| Moving Forward | Junior Krimz | E♭ Major | 4 | 5B | 140 BPM | ||
| Soulmate Hangover | Thelma | E Minor | 9 | 9A | 151 BPM | ||
| Mortal Man | GENS SWIFT | D Minor | 2 | 7A | 98 BPM | ||
| Subterranean Refugees | Enea Panduri | C Major | 5 | 8B | 128 BPM | ||
| Camino sin Fin | David Peccas | A Minor | 1 | 8A | 140 BPM | ||
| Both Blue Moons | Aaron Dilloway, Lucrecia Dalt | D♭ Major | 6 | 3B | 94 BPM | ||
| Woman of Water and Music | Roberto Musci | D♭ Major | 3 | 3B | 172 BPM | ||
| Serviço de Bicho | Mateus Alves, Tomaz Alves Souza | C Major | 0 | 8B | 86 BPM | ||
| I Am On My Way | Natalia Levi | C Major | 1 | 8B | 136 BPM | ||
| Das Biotop im Traum und in der Wirklichkeit | Läuten der Seele | D♭ Major | 1 | 3B | 133 BPM | ||
| L'immuable sous-jacent | Delphine Dora | A Minor | 1 | 8A | 130 BPM | ||
| Bold | QUEEN TSAKY | A Major | 8 | 11B | 169 BPM | ||
| Lo mio no es falso | Merlyn | A Minor | 4 | 8A | 180 BPM | ||
| Adonai | WizVieve II | A Minor | 4 | 8A | 127 BPM | ||
| Spin | Mesyrea | C Major | 5 | 8B | 178 BPM | ||
| ÚLTIMA DESPEDIDA | saztt | E Minor | 9 | 9A | 151 BPM | ||
| A Circle and a Star, Pt. 1 | Jane Weaver, The Focus Group, Susan Christie | E Minor | 1 | 9A | 131 BPM | ||
| Go Ahead | Splithallow | D♭ Minor | 2 | 12A | 115 BPM | ||
| Kaïros | Delphine Dora | A Minor | 1 | 8A | 130 BPM | ||
| Deflating Wound (Escaping Hell) | Michael Gelinas | G Major | 5 | 9B | 85 BPM |