On January 1, 1970, the song "Nach Lan Day" was released by Ramkumar Lakha, Manish, Parmod Sanjay Bhagi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ramkumar Lakha's "Lifafa Kanha Ka" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Nach Lan Day is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Nach Lan Day by Ramkumar Lakha, Manish, Parmod Sanjay Bhagi to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sai Tujhya Nadan | Sai bhakti, Omkar Mahadik | F♯ Major | 7 | 2B | 85 BPM | ||
| Jai Ho Bhole Bhandari | Ram Kumar Lakkha | F♯ Minor | 8 | 11A | 105 BPM | ||
| Valo Lageche Paghdi Valo | Farida Mir | D♭ Major | 7 | 3B | 146 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | B♭ Minor | 6 | 3A | 122 BPM | ||
| Ram Naam Ladudo Gopal | Moinuddin Manchala | E♭ Minor | 9 | 2A | 95 BPM | ||
| Bala Tera Hai Balwan | Ramkumar Lakha | F♯ Major | 7 | 2B | 122 BPM | ||
| Shri Durga Kawach | Narendra Chanchal | F Minor | 8 | 4A | 86 BPM | ||
| Bardan Ahan San Ki Mangi | Dilip Darbhangiya | B♭ Major | 10 | 6B | 112 BPM | ||
| Bajrang Balaji | Shyam Paliwal | E♭ Minor | 9 | 2A | 105 BPM | ||
| Bajrangi Meri Sunlo | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | A♭ Minor | 3 | 1A | 130 BPM | ||
| Sare Tirth Dham Aapke Charno Mein | Ravi Raj | F♯ Minor | 10 | 11A | 136 BPM | ||
| Bhatiyani Tharo Devaro | Prakash Mali, Arjun Rao, Sarita Kharwal | B Minor | 9 | 10A | 130 BPM | ||
| Tere Bin Koi Na Hamara Hai Khatu Shyam Bhajan - Shyam Baba Bhajan | Saurabh Madhukar, Keshav Madhukar | F♯ Minor | 7 | 11A | 138 BPM | ||
| Ghani Khamma Deshana Dham Ne | Keshav Depawat | E♭ Major | 8 | 5B | 130 BPM | ||
| Bhega Padharo Satguru Bhajan | Moinuddin Manchala | G Major | 5 | 9B | 95 BPM | ||
| Teri Jai Ho Hanuman Nirale | Ramkumar Lakha | C Minor | 7 | 5A | 89 BPM | ||
| Mithe Ras Se Bharori Radha Rani Lage | Utpal Jivrajani, Nidhi Dholakia | D♭ Major | 6 | 3B | 178 BPM | ||
| Kesi Gajab Bajayi Murli | Satendra Gurjar Jarara | F♯ Major | 8 | 2B | 81 BPM | ||
| Sindura Kini Nela | Mohammad Aziz | G Major | 5 | 9B | 86 BPM | ||
| Sab Somp Diyo Thane Ab The Hi Jano Maa | Ramavtar Marwadi | F♯ Major | 7 | 2B | 98 BPM | ||
| Ghodliyo Mangva De Mari Maa | Shyam Paliwal | F Major | 6 | 7B | 138 BPM | ||
| Aarti Ho Rahi Re | Sanjo Baghel | F Minor | 5 | 4A | 120 BPM | ||
| Mere Sheesh Ke Dani Ka | Pt. Ram Avtar Sharma, Anupama, Rajneesh Sharma | D♭ Major | 8 | 3B | 107 BPM | ||
| Nile Gode Ra Aswar Rana | Prakash Mali | B♭ Minor | 7 | 3A | 82 BPM |