"Foreboding" by Sally Kwok had its release date on December 16, 2021. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sally Kwok's "Minutes in the world (Original Motion Picture Soundtrack Album)" album is number 1 out of 5. Foreboding is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Foreboding by Sally Kwok to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Virus | John Paesano | B♭ Minor | 0 | 3A | 71 BPM | ||
| Omen of the Sea | Andreas Müller | F Minor | 3 | 4A | 114 BPM | ||
| Predation | Swik | C Minor | 2 | 5A | 84 BPM | ||
| To Whatever End | Taylor Ash | A♭ Minor | 4 | 1A | 74 BPM | ||
| COUNTRY (Original Soundtrack) | Robbie Devine | E Minor | 3 | 9A | 111 BPM | ||
| City of Bones | Atli Örvarsson | D Major | 1 | 10B | 79 BPM | ||
| The Death of Isolation | Drew Wiegman | D Minor | 5 | 7A | 142 BPM | ||
| Conspire | Sally Kwok | C Major | 1 | 8B | 74 BPM | ||
| Refuge | Claudie Mackula | E Minor | 1 | 9A | 84 BPM | ||
| I Am The King | Steven Price | E Minor | 1 | 9A | 120 BPM | ||
| Lost In Darkness And Distance | Amelia Warner | F Major | 3 | 7B | 106 BPM | ||
| Forevermore | Valkyrion | A Minor | 3 | 8A | 180 BPM | ||
| Night Stars | Violin Sky | A Major | 5 | 11B | 36 BPM | ||
| For the Last Time | Martin Czerny | C Minor | 0 | 5A | 144 BPM | ||
| Noah Breakup | Justin Burnett | E♭ Minor | 0 | 2A | 61 BPM | ||
| Dark Intermezzo | Lennard Kastner | A♭ Minor | 1 | 1A | 80 BPM | ||
| Blood Moon Rising | TmrDark | F Minor | 1 | 4A | 67 BPM | ||
| A Petticoat Never Saved Anyone | Matthew J Webster | A Minor | 1 | 8A | 140 BPM | ||
| Track 4 | Ursine Vulpine | C Major | 0 | 8B | 72 BPM | ||
| The First Voyager | Daniel Ciurlizza | B♭ Minor | 1 | 3A | 85 BPM | ||
| Abandonos Finales | Grandes Tardes | D♭ Major | 2 | 3B | 147 BPM | ||
| Welcome To The City Of Angels | Trailer Bros, Sonic Symphony, Franck Barré | A Minor | 3 | 8A | 133 BPM | ||
| The Heart Needs | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | B♭ Minor | 2 | 3A | 76 BPM | ||
| When It All Began | Hoams | E♭ Minor | 1 | 2A | 87 BPM | ||
| Hell Hath No Such Fury | David Chappell | D♭ Major | 2 | 3B | 151 BPM |