All Tomorrow's Parties (12" Version) [1983 Remix]
Japan, Steven Nye
Quiet Life
5:15 1979
BPM
121
Key
E Major
Camelot
12B

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All Tomorrow's Parties (12" Version) [1983 Remix] by Japan, Steven Nye Song Details

Japan, Steven Nye's ' "All Tomorrow's Parties (12" Version) [1983 Remix]" was released on its scheduled release date, 1979. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Quiet Life". In this album, this song's track order is #9. Based on our statistics, All Tomorrow's Parties (12" Version) [1983 Remix]'s popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With All Tomorrow's Parties (12" Version) [1983 Remix] by Japan, Steven Nye having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-14.423 dB
Acousticness
4%
Danceability
60%
Energy
53%
Instrumentalness
35%
Liveness
15%
Loudness
76%
Speechiness
3%
Valence
66%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records