Wolf Hoffmann's ' "Concerto for 2 Cellos in G Minor, Rv 531: I. Allegro Moderato" was released on its scheduled release date, July 1, 2016. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolf Hoffmann's "Headbangers Symphony" album is number 4 out of 11. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto for 2 Cellos in G Minor, Rv 531: I. Allegro Moderato is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto for 2 Cellos in G Minor, Rv 531: I. Allegro Moderato by Wolf Hoffmann to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tokyo Heat | Igor Paspalj | C Major | 9 | 8B | 128 BPM | ||
| Four Seasons - Summer | At Vance | G Major | 8 | 9B | 121 BPM | ||
| Toccata & Fugue BWV 565 | Mendel | B Minor | 9 | 10A | 95 BPM | ||
| Fantaisie-Impromptu | André Antunes | D♭ Major | 6 | 3B | 78 BPM | ||
| Variations In D Minor | Vitalij Kuprij | D Minor | 7 | 7A | 131 BPM | ||
| Piano Sonata No. 8, Op. 13 "Pathétique": I. Grave - Allegro Di Molto E Con Brio | Wolf Hoffmann | B♭ Minor | 8 | 3A | 140 BPM | ||
| Tribute to W. A. Mozart: Eine Kleine Nachtmusik K525 - Allegro | Skylark | G Major | 10 | 9B | 140 BPM | ||
| Prelude to Madness | Savatage | F Minor | 7 | 4A | 89 BPM | ||
| Deified | Tony Iommi | E♭ Major | 9 | 5B | 138 BPM | ||
| Mi Fender | MasterJackMusic | D♭ Major | 7 | 3B | 111 BPM | ||
| The Tempest - Tuona E Fulmina (Summer III) | Uli Jon Roth, Sky Orchestra | G Major | 7 | 9B | 153 BPM | ||
| Brave New World (Outro) | Michael Romeo | F Minor | 8 | 4A | 170 BPM | ||
| Oculus Ex Inferni | Symphony X | B♭ Major | 7 | 6B | 146 BPM | ||
| Proctagon | Octavision | B Major | 9 | 1B | 115 BPM | ||
| Winter Allegro Non Molto | Marcin Jakubek | F Minor | 9 | 4A | 150 BPM | ||
| What Have We Become? - Instrumental | Lord Of The Lost | F♯ Minor | 2 | 11A | 101 BPM | ||
| Symphony No. 7 Act II | Doğukan Öztürk | G Major | 5 | 9B | 159 BPM | ||
| Concerto in Am (Vivaldi) | Dan Mumm | A Minor | 9 | 8A | 120 BPM | ||
| Song of Women - Instrumental Deluxe Version | The HU | A♭ Major | 8 | 4B | 162 BPM | ||
| Nocturne in E-Flat Major | André Antunes | B♭ Major | 2 | 6B | 102 BPM | ||
| Ashes on the Stereo | The Rusted Wolves | C Major | 10 | 8B | 130 BPM | ||
| Air (In the Style of Queen) | André Antunes | D Major | 4 | 10B | 120 BPM | ||
| 1812 Overture (finale) Meets Metal | ERock | E Major | 8 | 12B | 130 BPM | ||
| Paganini's Nightmare | Secret Sphere | A♭ Major | 10 | 4B | 140 BPM | ||
| Ode to Joy | Project Alcazar, Chris Steberl | A Major | 9 | 11B | 111 BPM |