"Rescuing Maurice" by George Fenton had its release date on January 1, 1998. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 22 in Ever After: A Cinderella Story (Original Motion Picture Soundtrack) by George Fenton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Rescuing Maurice is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rescuing Maurice by George Fenton is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| The Homecoming | George Fenton | C Major | 1 | 8B | 107 BPM | ||
| As Long as We Both Shall Live | Bear McCreary | G Major | 1 | 9B | 77 BPM | ||
| Cranford Theme | Carl Davis | C Major | 2 | 8B | 90 BPM | ||
| The Princess Diaries Medley - Score | John Debney | F Major | 1 | 7B | 73 BPM | ||
| Hymn for Bethany | Marco Beltrami | G Major | 2 | 9B | 85 BPM | ||
| It's Snowing and Heavily | Samuel Sim | G Minor | 1 | 6A | 77 BPM | ||
| Eshkeri: Flying Vessel | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 4 | 9B | 83 BPM | ||
| "I Have Danced With A King" | George Fenton | A Major | 1 | 11B | 77 BPM | ||
| You're Destined for Greatness | Mark McKenzie | F♯ Minor | 2 | 11A | 133 BPM | ||
| The Importance Of This River - From "Our Planet" | Steven Price | A Major | 2 | 11B | 68 BPM | ||
| Can't Slow Down - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | G Major | 1 | 9B | 116 BPM | ||
| No Safer Place | Deborah Lurie | A Minor | 0 | 8A | 84 BPM | ||
| We'll Be #1 | William Ross | B♭ Major | 1 | 6B | 122 BPM | ||
| Saphira's First Flight | James Shearman | C Major | 3 | 8B | 57 BPM | ||
| Happily Ever After | George Fenton | D Major | 1 | 10B | 139 BPM | ||
| Venice Proud And Pretty | George Fenton | F Major | 0 | 7B | 148 BPM | ||
| A Proper Angel | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Austenland Symphony: I. Sonata | Ilan Eshkeri | C Major | 2 | 8B | 89 BPM | ||
| Notification | Pinar Toprak | D♭ Major | 6 | 3B | 125 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| Time to Come Home | Geoff Zanelli | C Major | 1 | 8B | 78 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| Maria's Room | Christian Henson | B Major | 2 | 1B | 122 BPM | ||
| Giving Back The Baby | David Newman | E Minor | 2 | 9A | 119 BPM |