Edward R. Murrow's ' "Harry Daugherty makes "smoke-filled room" prediction" was released on its scheduled release date, 1950. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The track order of this song in Edward R. Murrow's "I Can Hear It Now, Vol. I (1919-32)" album is number 2 out of 8. On top of that, United States appears to be the country where this track was created. Harry Daugherty makes "smoke-filled room" prediction is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Harry Daugherty makes "smoke-filled room" prediction by Edward R. Murrow to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ode On a Grecian Urn | Richard Mitchley | A Major | 2 | 11B | 59 BPM | ||
| Summer Night Horror Stories, Pt. 7 | Mr. Nightmare | B Major | 3 | 1B | 178 BPM | ||
| Be Ye Men Of Valour (Solemn Hour) [May 19th, 1940] | Winston Churchill | C Major | 3 | 8B | 80 BPM | ||
| Ed Murrow In London - 24 August 1940 | Edward R. Murrow | B♭ Minor | 3 | 3A | 70 BPM | ||
| Lessons Learned in Moscow 15 | Rabbi Yoel Ferber | A♭ Minor | 3 | 1A | 66 BPM | ||
| Track 2 - The Sirens of Time Part 1 | Doctor Who, Nicholas Briggs, Peter Davison, Colin Baker, Sylvester McCoy | B Major | 2 | 1B | 77 BPM | ||
| Chapter 37 - Geronimo Stilton, Book 15: The Mona Mousa Code | Geronimo Stilton, Bill Lobley | A Minor | 3 | 8A | 108 BPM | ||
| Almost Perfect | Shel Silverstein | C Major | 0 | 8B | 175 BPM | ||
| Intro to The Haunted and the Hunters | Alfred Hitchcock | A Minor | 0 | 8A | 107 BPM | ||
| Twelfth Night, Act I Scene 1: If Music Be The Food Of Love, Play On... (Shakespeare) | Michael Sheen | F Major | 0 | 7B | 82 BPM | ||
| Not the Life I Wanted | Momenee | A♭ Major | 0 | 4B | 171 BPM | ||
| Lesson 7c | Kieran Ball | B♭ Major | 1 | 6B | 134 BPM | ||
| The Chimes of Midnight, Pt. 1, Track 4 | Doctor Who, Robert Shearman, Paul McGann, India Fisher | F Minor | 5 | 4A | 63 BPM | ||
| Prussians | Childrens Corner | A♭ Major | 0 | 4B | 93 BPM | ||
| 45.03.15 - Attrocities Of The Germans | Edward R. Murrow | C Major | 3 | 8B | 92 BPM | ||
| Lines Written in Early Spring | Stephen Murray, William Wordsworth | D♭ Major | 3 | 3B | 0 BPM | ||
| Little Abigail And The Beautiful Pony | Shel Silverstein | F♯ Major | 1 | 2B | 103 BPM | ||
| Terry Tibbs - Maserati | Fonejacker | C Major | 3 | 8B | 102 BPM | ||
| Talkie Toaster | Chris Barrie | D Major | 2 | 10B | 129 BPM | ||
| No Difference | Shel Silverstein | F Minor | 1 | 4A | 88 BPM | ||
| Chapter 02: Mikosh Returns | Bibi and Tina, Britt Mcckillip, Chantal Strand, Adrian Petriw, Ulf Thiem | A♭ Major | 3 | 4B | 79 BPM | ||
| I Heard a Fly Buzz When I Died | Julie Harris | E♭ Minor | 0 | 2A | 77 BPM | ||
| Morphine | Momenee | F Major | 1 | 7B | 86 BPM | ||
| Chapter 11: Full Moon Over Falkenstein | Bibi and Tina | A Major | 2 | 11B | 97 BPM | ||
| Death Shakes the Foundations | Nik_Poetry | A Major | 1 | 11B | 65 BPM |