Roop Kumar Rathod, Sonali Rathod's 'Woh Meri Mohabbat Ka' had a release date set for April 8, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Roop Kumar Rathod, Sonali Rathod's "Ishara" album is number 1 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Woh Meri Mohabbat Ka is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Woh Meri Mohabbat Ka by Roop Kumar Rathod, Sonali Rathod to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Yaadon Ki Chadar Odhe 2.0 | Musical Soul | B Major | 5 | 1B | 127 BPM | ||
| Pardesiyon Se Na Ankhiyan Milana-Sad - Jhankar Beats | Mohammed Rafi | A♭ Major | 7 | 4B | 142 BPM | ||
| Mil Mil Ke Bichhadne Ka Maza | Ghanshyam Vaswani | B Major | 3 | 1B | 127 BPM | ||
| Dialogue And Yeh Na Thi Hamari Qismat | Chitra Singh, Naseeruddin Shah | F♯ Major | 3 | 2B | 70 BPM | ||
| Man Mein Uthe Uchhale | Snehprabha Pradhan, Hameeda Bano | D♭ Major | 3 | 3B | 73 BPM | ||
| Ek Pal Hansna Jo Chaha | Anwar | A♭ Minor | 5 | 1A | 131 BPM | ||
| Teri Nigah Pe Sab Kuchh, Pt. 2 | Mohammed Aziz, Sukhwinder Singh | E♭ Major | 8 | 5B | 140 BPM | ||
| Aarzoo Meri | Gulzar, K. S. Chithra | F Minor | 4 | 4A | 135 BPM | ||
| Nashili Raat Mein - Zulf Ke Saaye Saaye / Soundtrack Version | Jagjit Singh | B Major | 5 | 1B | 127 BPM | ||
| Sumukhi Tumhara Sundar Mukh Hi | Manna Dey | D♭ Minor | 1 | 12A | 68 BPM | ||
| Woh Maara | Sudesh Bhosle | A♭ Major | 7 | 4B | 116 BPM | ||
| Zara Si Baat Pe | Talat Aziz | F Major | 3 | 7B | 127 BPM | ||
| Keh Rahi Hai | Ahmed Hussain, Mohammed Hussain | G Major | 3 | 9B | 106 BPM | ||
| Shivaji - Original | Lalitya Munshaw | B♭ Major | 4 | 6B | 96 BPM | ||
| Ho Aaj Majhab Koi | Vinod Rathod, Roop Kumar Rathod, Kavita Krishnamurthy, Vijayta Pandit | E♭ Major | 8 | 5B | 102 BPM | ||
| Ye Sadak Kya Tere | Vinod Rathod, Anwar | C Major | 9 | 8B | 132 BPM | ||
| Charag Haar Gaya Ho Jaise | Ghulam Ali | D♭ Major | 3 | 3B | 88 BPM | ||
| Nindiya Rani Aaari Aaja Nindiya | Ravindra Jain, Kavita Krishnamurthy | E Major | 6 | 12B | 176 BPM | ||
| Aur Baat Ke Insaan Banke | Chandan Dass | A♭ Major | 7 | 4B | 98 BPM | ||
| Badi Door Se Aaye Ho | Priya | A Minor | 7 | 8A | 80 BPM | ||
| Ek Tajmahal Dil Mein | Anwar | A Major | 6 | 11B | 130 BPM | ||
| Mehfil Mein Teri | Arvinder Singh | A♭ Major | 10 | 4B | 120 BPM | ||
| Bita Mausam - Lal Salaam / Soundtrack Version | Lata Mangeshkar, Roop Kumar Rathod | C Major | 7 | 8B | 180 BPM | ||
| Kal Khawab Mein Dekha Sakhi | Chandan Dass | A♭ Major | 7 | 4B | 146 BPM | ||
| Madan Dekho Sadhke Chode Baan | Ravindra Jain, Satish Dehra | G Major | 5 | 9B | 139 BPM |