Rolo Tomassi's 'Codes Within Codes' had a release date set for April 17, 2011. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Codes Within Codes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 36 in Eternal Youth by Rolo Tomassi. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Codes Within Codes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Codes Within Codes by Rolo Tomassi is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thoroughbreds | Poison The Well | E Minor | 7 | 9A | 107 BPM | ||
| Being Able to Feel Nothing | Oathbreaker | F♯ Minor | 8 | 11A | 112 BPM | ||
| Last Laughter | The Number Twelve Looks Like You | G Minor | 10 | 6A | 125 BPM | ||
| Fleshwork | Pupil Slicer | D Major | 10 | 10B | 161 BPM | ||
| Cosmology | Rolo Tomassi | G Major | 6 | 9B | 176 BPM | ||
| Widower | The Dillinger Escape Plan | C Minor | 9 | 5A | 136 BPM | ||
| Drip | Rolo Tomassi | G Major | 10 | 9B | 140 BPM | ||
| To Our Friends in the Great White North | Botch | G Major | 10 | 9B | 159 BPM | ||
| Party Wounds | Rolo Tomassi | F Major | 9 | 7B | 165 BPM | ||
| CRUSH | MØL | E Minor | 7 | 9A | 107 BPM | ||
| Transfiguration | State Faults | B Minor | 6 | 10A | 100 BPM | ||
| Silent Restraint | Svalbard | D♭ Major | 10 | 3B | 158 BPM | ||
| There Is No Warmth | Conjurer | F♯ Major | 9 | 2B | 121 BPM | ||
| The One | Portrayal of Guilt | B♭ Major | 9 | 6B | 89 BPM | ||
| Hang Them In Your Head | Conjurer | E♭ Minor | 9 | 2A | 121 BPM | ||
| The Song at Creation's End | Pupil Slicer | B Minor | 9 | 10A | 123 BPM | ||
| LADIES' NIGHT | Crippling Alcoholism, Luxury Skin | E Minor | 7 | 9A | 107 BPM | ||
| The Damage and The Sift | Frontierer | D Major | 10 | 10B | 78 BPM | ||
| Needles in Your Skin | Oathbreaker | E Major | 9 | 12B | 119 BPM | ||
| Nothing's Funny | The Dillinger Escape Plan | E Major | 10 | 12B | 155 BPM | ||
| Opalescent | Rolo Tomassi | B Minor | 9 | 10A | 127 BPM | ||
| Mondrian Was a Liar | Botch | G Major | 10 | 9B | 159 BPM | ||
| Primal Directive | The Contortionist | A♭ Minor | 9 | 1A | 112 BPM | ||
| A Mysterious Voice | Snooze | E Minor | 10 | 9A | 160 BPM | ||
| Limerent Death | The Dillinger Escape Plan | E Minor | 10 | 9A | 100 BPM |