Asha Bhosle, Shailendra Singh, R. D. Burman's ' "Loot Gaye Hum To Rahon Men" was released on its scheduled release date, September 26, 1984. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The track order of this song in R. D. Burman's "Manzil Manzil" album is number 7 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Loot Gaye Hum To Rahon Men is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Loot Gaye Hum To Rahon Men by Asha Bhosle, Shailendra Singh, R. D. Burman to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chehra Chhupa Liya Hai Kisi Ne | Mahendra Kapoor, Asha Bhosle, Salma Agha | E♭ Major | 5 | 5B | 173 BPM | ||
| Kar Gaya Kanha Milan Ka Vada | Aarti Mukherji | B♭ Minor | 5 | 3A | 79 BPM | ||
| Parbat Ke Peechhe | Lata Mangeshkar, Kishore Kumar, R. D. Burman | A♭ Major | 7 | 4B | 149 BPM | ||
| Yeh Lamhe Yeh Pal | Hariharan | G Major | 4 | 9B | 127 BPM | ||
| Pyare Tere Pyar Mein | Amit Kumar, Asha Bhosle | G Major | 2 | 9B | 82 BPM | ||
| Bhool Ke Din | Sudesh Bhosle, Abhijeet, Balbinder, Kavita Krishnamurthy, Sadhana Sargam, Padmini Kolhapure | G Major | 7 | 9B | 114 BPM | ||
| Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi | F♯ Major | 4 | 2B | 100 BPM | ||
| Thodi Thodi Piya Karo | Pankaj Udhas | B♭ Minor | 6 | 3A | 117 BPM | ||
| Do Naina Aur Ek Kahani | Aarti Mukherji, R. D. Burman | A Major | 3 | 11B | 96 BPM | ||
| Jab Jab Teri Surat Dekhun (Jane Jana) - From "Janbaaz" | Sapna | E Major | 5 | 12B | 84 BPM | ||
| Hum Tere Deewane Hai | Shailendra Singh | G Minor | 7 | 6A | 186 BPM | ||
| Mujhe Pyar Ki Zindagi Denewale | Asha Bhosle, Mohammed Rafi | F Minor | 4 | 4A | 109 BPM | ||
| Na Kajare Ki Dhar (From "Mohra") | Sadhana Sargam, Pankaj Udhas | C Minor | 7 | 5A | 145 BPM | ||
| Mujhe Dulhe Ka Sehra Gane Do - Sohni Mahiwal / Soundtrack Version | Asha Bhosle, Shabbir Kumar | B Minor | 7 | 10A | 94 BPM | ||
| Sapnon Ka Raja - Chalte Chalte / Soundtrack Version | Sulakshana Pandit, Shailendra Singh | A Minor | 6 | 8A | 156 BPM | ||
| Log Barso Judaa Hoke Duet | Pankaj Udhas, Sadhana Sargam | C Major | 7 | 8B | 139 BPM | ||
| Pahle Padai Phir Pyar Hoga | S. Janaki, Mohammed Aziz | B♭ Major | 7 | 6B | 88 BPM | ||
| Kahin to Milengi | Abhijeet | F Major | 5 | 7B | 101 BPM | ||
| Mujhe Ishq Hai Tujhi Se - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | G Major | 5 | 9B | 130 BPM | ||
| Deewana Mujhsa Nahin | Mohammed Rafi, R. D. Burman | A♭ Major | 3 | 4B | 134 BPM | ||
| Do Baaten Pyar Bhari Kar Loon | Kishore Kumar, Asha Bhosle | F♯ Major | 5 | 2B | 100 BPM | ||
| Jaaneman Jaaneman Tere Do Nain | K. J. Yesudas, Asha Bhosle, Salil Chowdhury | B♭ Major | 7 | 6B | 139 BPM | ||
| Zuban Pe Dard Bhari Dastan | Mukesh | D Minor | 4 | 7A | 104 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Boojh Mera Kya Naam Re | O. P. Nayyar, Majrooh Sultanpuri | A♭ Major | 6 | 4B | 191 BPM |