"Until The Real Thing Comes Along" by Mark Murphy had its release date on April 8, 2003. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Timeless: Mark Murphy". In this album, this song's track order is #4. In terms of popularity, Until The Real Thing Comes Along is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Until The Real Thing Comes Along by Mark Murphy having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If You Could See Me Now | Sheila Jordan | A Minor | 1 | 8A | 93 BPM | ||
| Find a Way | Metropolitan Jazz Affair | D♭ Major | 7 | 3B | 98 BPM | ||
| In The Evening When The Sun Goes Down | Lou Rawls, Les McCann Ltd. | G Major | 2 | 9B | 163 BPM | ||
| A Room With A View | Herb Geller | G Major | 1 | 9B | 130 BPM | ||
| Come Over Here and Treat Me Right | Louise Balkwill | D Minor | 5 | 7A | 141 BPM | ||
| Pernod | Jeff Rupert, Veronica Swift | D♭ Major | 6 | 3B | 125 BPM | ||
| Centerpiece | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 105 BPM | ||
| Secret - Freedom Satellite Remix | Three Minutes, Mark Murphy, Freedom Satellite | B Major | 5 | 1B | 122 BPM | ||
| Big Time | Furski | C Major | 2 | 8B | 109 BPM | ||
| Subterraneans - Remastered | Brother K, Mark Murphy | A♭ Major | 3 | 4B | 88 BPM | ||
| Satin Doll | Carol Sloane, Roland Hanna, George Mraz, Richie Pratt | C Major | 2 | 8B | 136 BPM | ||
| Right Now | Mel Tormé | B♭ Minor | 4 | 3A | 95 BPM | ||
| I'm Walkin' | Kevin Mahogany | C Major | 4 | 8B | 133 BPM | ||
| Enjoy Yourself (It's Later Than You Think) | Maxine Sullivan, Bob Haggart, Ike Isaacs, Dardanelle, Sil Austin | E♭ Major | 4 | 5B | 175 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| All That's Good | Jimmy Witherspoon | F Minor | 1 | 4A | 71 BPM | ||
| Sidney's Soliloquy | Mel Tormé | A Major | 1 | 11B | 119 BPM | ||
| Dark Shadows | Andy Bey | D♭ Major | 2 | 3B | 84 BPM | ||
| I Feel Pretty | Annie Ross, Gerry Mulligan Quartet | G Minor | 4 | 6A | 80 BPM | ||
| Am I Blue | Sheila Jordan | C Major | 0 | 8B | 74 BPM | ||
| It Ain’t Necessarily So | Mary Lou Williams | E Minor | 1 | 9A | 126 BPM | ||
| Angel Eyes | Gene Ammons | C Minor | 1 | 5A | 88 BPM | ||
| Call Me | Nancy Wilson | E♭ Major | 5 | 5B | 152 BPM | ||
| Loves Melody | Crimson Beats | D♭ Major | 5 | 3B | 106 BPM | ||
| Sing You Sinners | Mel Tormé | B Major | 2 | 1B | 108 BPM |