"Never did run smooth" by Max Richter had its release date on 2015. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Testament Of Youth (Original Soundtrack Album)". In this album, this song's track order is #5. In terms of popularity, Never did run smooth is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Never did run smooth by Max Richter having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hospital Confessions | Rob Simonsen | C Minor | 0 | 5A | 77 BPM | ||
| The Sluice Gate | Peter Gregson | A♭ Major | 3 | 4B | 80 BPM | ||
| Dead Ballerina | John Murphy | E Minor | 1 | 9A | 169 BPM | ||
| Together We Will Live Forever | Clint Mansell | G Minor | 0 | 6A | 76 BPM | ||
| Used to Be Happy | Clint Eastwood | C Major | 0 | 8B | 77 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| A Variation On Scotty Tails Madeline | Shigeru Umebayashi | G Minor | 1 | 6A | 81 BPM | ||
| First Movement | Clint Mansell | D Minor | 0 | 7A | 137 BPM | ||
| Eliza's Theme | John Debney | D♭ Major | 2 | 3B | 160 BPM | ||
| Claroscuro | Bruno Sanfilippo | B♭ Major | 2 | 6B | 88 BPM | ||
| Read To Me | Jeff Beal | A Minor | 2 | 8A | 170 BPM | ||
| "Jellyfish" | John Williams | F♯ Minor | 2 | 11A | 81 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| Opening Titles | The Cinematic Orchestra, London Metropolitan Orchestra | A♭ Minor | 2 | 1A | 150 BPM | ||
| Did You Let Me Go? | Geoff Zanelli, Jon Brion | G Minor | 1 | 6A | 82 BPM | ||
| A Sepulchre | George Fenton | A Major | 0 | 11B | 74 BPM | ||
| Everywhere And Nowhere | Junkie XL | G Minor | 0 | 6A | 81 BPM | ||
| Don't Let Go | Steven Price | A♭ Minor | 2 | 1A | 135 BPM | ||
| But She'll Be OK, Right? | Fernando Velázquez | C Major | 1 | 8B | 58 BPM | ||
| Goodbye Wanderer | Antonio Pinto | D♭ Minor | 0 | 12A | 84 BPM | ||
| Utopia | Cylis | C Major | 1 | 8B | 57 BPM | ||
| A Mother's Duty | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| IV. Mrs Dalloway: Meeting Again | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Ian Burdge, Chris Worsey | E♭ Minor | 1 | 2A | 78 BPM | ||
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| Linn's Theme | Björn Baummann | A Minor | 2 | 8A | 174 BPM |