Rolfe Kent's ' "Guiltily Escaping the Rusks" was released on its scheduled release date, December 20, 2002. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 23 in About Schmidt (Original Motion Picture Soundtrack) by Rolfe Kent. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Guiltily Escaping the Rusks is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Guiltily Escaping the Rusks by Rolfe Kent is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| Harry Carried | David Shire | C Major | 5 | 8B | 125 BPM | ||
| #SherlockLives | David Arnold, Michael Price | A Minor | 2 | 8A | 81 BPM | ||
| See How They Run | Daniel Pemberton | B♭ Major | 8 | 6B | 140 BPM | ||
| Better Call Saul End Credits | Dave Porter | A Major | 7 | 11B | 152 BPM | ||
| Malvo's Theme | Jeff Russo | D Minor | 2 | 7A | 108 BPM | ||
| Nothing To Be Afraid Of | Jeff Beal | G Major | 3 | 9B | 140 BPM | ||
| Reunion | Burkhard Dallwitz | E♭ Major | 2 | 5B | 111 BPM | ||
| The Accountant | Mark Isham | E Minor | 2 | 9A | 100 BPM | ||
| La Corsa (2nd Version) | Luis Bacalov | C Major | 4 | 8B | 122 BPM | ||
| J'accuse | David Buckley | F Minor | 0 | 4A | 100 BPM | ||
| I Promise | Rolfe Kent | D Major | 2 | 10B | 84 BPM | ||
| Not Goin' Home Anymore - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 1 | 5B | 97 BPM | ||
| The Halls Of Fear | Nino Rota, Carlo Savina | D♭ Major | 2 | 3B | 76 BPM | ||
| Country Wide | Anthony Mawer | C Major | 2 | 8B | 92 BPM | ||
| Agfa Montage | Johnny Klimek, Reinhold Heil | F♯ Major | 1 | 2B | 80 BPM | ||
| Goja V | Jeff Russo | E♭ Major | 2 | 5B | 70 BPM | ||
| The Process | Marc Streitenfeld | D Major | 3 | 10B | 88 BPM | ||
| I'm Not Drinking Any #@%!$ Merlot | Rolfe Kent | F Minor | 4 | 4A | 128 BPM | ||
| Abstract Night | Umberto Smerilli | B♭ Minor | 1 | 3A | 140 BPM | ||
| Awakenings - Awakenings - Original Motion Picture Soundtrack; 2008 Remaster | Randy Newman | D Major | 0 | 10B | 73 BPM | ||
| Morning Routines | Hannes De Maeyer | C Minor | 1 | 5A | 103 BPM | ||
| End Title | Clint Eastwood | F♯ Major | 1 | 2B | 81 BPM | ||
| On the Eve of Harlan's Demise | Nathan Johnson | D Major | 1 | 10B | 88 BPM | ||
| The "Shag-adelic" Austin Powers Score Medley | George S. Clinton | G Minor | 2 | 6A | 84 BPM |