Thomas de Hartmann's 'Holy Affirming, Holy Denying, Holy Reconciling' had a release date set for 1989. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 56 in the song's album "The Music of Gurdjieff / De Hartmann". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Holy Affirming, Holy Denying, Holy Reconciling's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Holy Affirming, Holy Denying, Holy Reconciling by Thomas de Hartmann having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Trembling of Glass | Rachika Nayar | D Major | 3 | 10B | 69 BPM | ||
| The Unfolding | Hannah Peel, Paraorchestra | E Minor | 4 | 9A | 104 BPM | ||
| Breathless... I | Harold Budd | E Major | 2 | 12B | 66 BPM | ||
| Segnung | Popol Vuh | F♯ Major | 1 | 2B | 76 BPM | ||
| Love Song Of Urfa | Midori Takada | F Minor | 2 | 4A | 143 BPM | ||
| The Sinking of the Titanic: 10. Last Hymn | Gavin Bryars, Gavin Bryars Ensemble | D♭ Major | 0 | 3B | 70 BPM | ||
| The Wind in High Places: II. Maclaren Summit | John Luther Adams, JACK Quartet | D Major | 1 | 10B | 103 BPM | ||
| Visitors YT15B – Jerusalem, Palestine | Alabaster DePlume | E♭ Minor | 2 | 2A | 100 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: III | Morton Feldman, Ensemble Recherche | D Major | 0 | 10B | 136 BPM | ||
| Here We Are (Once Again) | Okkyung Lee | A Minor | 0 | 8A | 134 BPM | ||
| She Is Dissolving | Irena And Vojtech Havlovi | D♭ Minor | 1 | 12A | 114 BPM | ||
| Prisoned On Watery Shore | Kali Malone | G Minor | 0 | 6A | 78 BPM | ||
| No. 6, Increase | Julius Eastman, Wild Up, Christopher Rountree | F Minor | 0 | 4A | 76 BPM | ||
| objects lost in drawers (found again at the most inconvenient times) | Yara Asmar | G Minor | 4 | 6A | 60 BPM | ||
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
| Evangeline - feat. Suzanne Langille | Loren Connors, Suzanne Langille | E Major | 0 | 12B | 86 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Gradual of Image | Sarah Davachi | F Minor | 1 | 4A | 166 BPM | ||
| Hymn for Christmas Day - No. 1 | Thomas de Hartmann | D Minor | 0 | 7A | 76 BPM | ||
| 1ere Suite: Allemande | Johann Julius Sontag von Holt Sombach, Thomas Bloch | D Minor | 0 | 7A | 70 BPM | ||
| Moon River | Bill Orcutt | G Major | 2 | 9B | 183 BPM | ||
| Evening Breeze | Emahoy Tsege Mariam Gebru | A Major | 1 | 11B | 67 BPM | ||
| Greater Antiphons: IV. O Key of David | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Minor | 2 | 8A | 79 BPM | ||
| Blues Nile | Jon Hassell | C Major | 6 | 8B | 140 BPM | ||
| Prayer and Despair | Thomas de Hartmann | D Minor | 0 | 7A | 72 BPM |