"I Must Have Left My Heart" by Molly Johnson had its release date on January 1, 2002. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 2 out of 11 in Another Day by Molly Johnson. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, I Must Have Left My Heart is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of I Must Have Left My Heart by Molly Johnson is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Monk | Abbey Lincoln | F Major | 3 | 7B | 180 BPM | ||
| Lost In A Blue Note | April Barrows | B♭ Major | 1 | 6B | 100 BPM | ||
| Moon River | Sarah McKenzie | G Major | 0 | 9B | 91 BPM | ||
| Unsophisticated | Kandace Springs, Roy Hargrove | A♭ Major | 3 | 4B | 66 BPM | ||
| Body And Soul | Ruth Cameron | F Major | 1 | 7B | 123 BPM | ||
| Confession / The Other Woman | Veronica Swift | G Minor | 1 | 6A | 78 BPM | ||
| Don’t Say Goodnight (It’s Time For Love) | Indra Rios-Moore | A Major | 1 | 11B | 140 BPM | ||
| On the Sunny Side of the Street | Roberta Gambarini | D♭ Major | 4 | 3B | 120 BPM | ||
| Dans mon île (with Biréli Lagrène Gipsy Project) | Sara Lazarus | A♭ Major | 3 | 4B | 81 BPM | ||
| Bewitched, Bothered and Bewildered | Suss von Ahn | B♭ Major | 2 | 6B | 180 BPM | ||
| At Last | Ida Sand | F Minor | 3 | 4A | 182 BPM | ||
| Walking with the Blues | Ben Sidran | E♭ Major | 3 | 5B | 118 BPM | ||
| Nothing's Really Changed | Robin McKelle & The Flytones | D♭ Major | 6 | 3B | 130 BPM | ||
| What Do You See in Her | Cæcilie Norby | D♭ Major | 2 | 3B | 119 BPM | ||
| Baby Plays Around | Anthony Strong | A Major | 2 | 11B | 66 BPM | ||
| I'll Keep You Satisfied | Katrine Madsen | F Major | 3 | 7B | 82 BPM | ||
| Waiting | Ida Sand, Mats Öberg | C Minor | 5 | 5A | 94 BPM | ||
| The Man I Love | Veronica Swift | C Minor | 1 | 5A | 124 BPM | ||
| Close to You | Rigmor Gustafsson, Jacky Terrasson Trio | D♭ Major | 1 | 3B | 94 BPM | ||
| What Should I Care | Gushi & Raffunk | D Minor | 2 | 7A | 80 BPM | ||
| Don't Think Twice | Hailey Tuck | G Minor | 3 | 6A | 106 BPM | ||
| We Were Roommates | Pamela Levy | E Minor | 5 | 9A | 106 BPM | ||
| The Gentleman Is a Dope | Fred Nardin, Jon Boutellier 4tet, Cécile McLorin Salvant, Bastien Ballaz, David Enhco | F Minor | 3 | 4A | 130 BPM | ||
| Another Star | Nnenna Freelon | A Minor | 5 | 8A | 92 BPM | ||
| Aint't No Sunshine | Elisa Rodrigues | G Major | 3 | 9B | 86 BPM |