Dibya Khaling, Narayan Gopal's ' "Timi Jun Raharle" was released on its scheduled release date, June 18, 2001. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Dibya Khaling, Narayan Gopal's "Mero Sano Sansar" album is number 4 out of 9. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Timi Jun Raharle's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Timi Jun Raharle by Dibya Khaling, Narayan Gopal to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yo Mann Le | Yash Kumar | A♭ Major | 6 | 4B | 154 BPM | ||
| Bachan Tode | Ram Krishna Dhakal | F Major | 7 | 7B | 76 BPM | ||
| Nisthuri Mayalu | Shila Bahadur Moktan, Kunti Moktan | F♯ Major | 5 | 2B | 85 BPM | ||
| Gailai Charaudai-Paat Bajaune Mayalai | Prem Raja Mahat, Komal oli, Narayan Rayamajhi | C Major | 6 | 8B | 160 BPM | ||
| Ukali Orali Gardai | Sonu Nigam | G Minor | 6 | 6A | 103 BPM | ||
| Chhin Chhin Ma Hasna | Uday Sotang | A Major | 6 | 11B | 146 BPM | ||
| Nakkali Kanchhi | Rabin Shrestha | D♭ Major | 5 | 3B | 151 BPM | ||
| Himal Sari | Aruna Lama, Narayan Gopal | E Major | 3 | 12B | 182 BPM | ||
| Ganer Surer Asankhani | Suchitra Mitra | E♭ Major | 5 | 5B | 182 BPM | ||
| Pratikchha Gara | Shambhujeet Baskota, Deepak Kharel | E Minor | 6 | 9A | 100 BPM | ||
| Mero Yo Geetma | Ambar Gurung, Narayan Gopal | C Minor | 6 | 5A | 139 BPM | ||
| He Lajaune Mayalu | Rabin Shrestha | D♭ Major | 5 | 3B | 151 BPM | ||
| Yo Saino Maya Ko | Babul Supriyo, Sanjeevani | D♭ Minor | 7 | 12A | 93 BPM | ||
| Aba Chot Harule Piroldaina Malai | Yam Baral | C Major | 6 | 8B | 122 BPM | ||
| Khotang Jilla Diktel Bajara | Tulasi Prasad Parajuli, Lochan Bhattarai | D Major | 4 | 10B | 85 BPM | ||
| Din Ta Bitchha | Suresh kumar | F Minor | 8 | 4A | 126 BPM | ||
| Tana Mann Bachanle | Bhakta Raj Acharya | D♭ Major | 6 | 3B | 148 BPM | ||
| Beni Melai Ma | Shambhu Rai, Laxmi Adhikari, Satya Kala Rai | E Major | 5 | 12B | 168 BPM | ||
| Yo Mann Bhanchha Kaha | Shambhu Rai | G Major | 6 | 9B | 151 BPM | ||
| Malai Pyaro Lagchha | Yogeshwor Amatya | G Major | 4 | 9B | 90 BPM | ||
| Dueta Phul Deuralima | Narayan Gopal | D♭ Major | 3 | 3B | 64 BPM | ||
| Chham Chham Nacha | Padam Bista, Lochan Bhattarai, Dibya Khaling, Sabitri Khadka | G Major | 5 | 9B | 133 BPM | ||
| Galti Hajar Hunchhan | Gopal Yonjan, Narayan Gopal | A♭ Major | 4 | 4B | 130 BPM | ||
| Oje Manena Mana | Rezwana Choudhury Bannya | B♭ Major | 3 | 6B | 145 BPM | ||
| Khelicho E Bishwa Loye | Ramanuj Dasgupta | B♭ Major | 4 | 6B | 116 BPM |