"Handel: Lascia ch'io pianga" by George Frideric Handel, Monroe had its release date on November 28, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Monroe, Gaetano Donizetti, George Frideric Handel, Giacomo Puccini, Harold Arlen, Heitor Villa-Lobos, Johann Sebastian Bach, Léo Delibes, Wolfgang Amadeus Mozart's "Monroe" album is number 3 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Handel: Lascia ch'io pianga's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Lascia ch'io pianga by George Frideric Handel, Monroe to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simon Boccanegra: Act I: Plebe! Patrizi! (Doge, Amelia, Fiesco, Gabriele, Paolo, Pietro, Coro) | Giuseppe Verdi, Ludovic Tezier, Marina Rebeka, Michele Pertusi, Francesco Meli, Mattia Olivieri, Andrea Pellegrini, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | F♯ Minor | 1 | 11A | 167 BPM | ||
| Missa Votiva in E Minor, ZWV 18: VII. Qui Tollis | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková | F♯ Minor | 2 | 11A | 128 BPM | ||
| Polifemo, HelN 31: Alto Giove - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 71 BPM | ||
| Notte ch'in carro d'ombre, H. 480: Aria. Vieni, o Notte | Alessandro Scarlatti, Francesca Aspromonte, Arsenale Sonoro, Boris Begelman | F♯ Minor | 1 | 11A | 167 BPM | ||
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
| Werther, Act III: Va! Laisse couler mes larmes | Jules Massenet, Aigul Akhmetshina, Royal Philharmonic Orchestra, Daniele Rustioni | D Minor | 1 | 7A | 92 BPM | ||
| Dowland: First Book of Songs or Ayres: No. 1, Come Again! Sweet Love Doth Now Invite | John Dowland, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 2 | 2B | 112 BPM | ||
| Tosca, Act III: E lucevan le stelle (Arr. for Saxophone Quartet & Piano by Stefan Malzew) | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Daniel Behle, Alliage Quintett | B Minor | 1 | 10A | 166 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Major | 0 | 8B | 139 BPM | ||
| As Pants the Hart, HWV 251b: VI. Why So Full of Grief, O My Soul? | George Frideric Handel, Arcangelo, Jonathan Cohen, Deborah Cachet, Samuel Boden | A Major | 5 | 11B | 105 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
| Das Lied von der Erde: III. Von der Jugend. Behaglich, heiter | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | F♯ Minor | 1 | 11A | 167 BPM | ||
| Four Last Songs, TrV 296: III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | ||
| Dowland: Second Book of Songs or Ayres: No. 3, Sorrow, Stay | John Dowland, Thomas Dunford, Lea Desandre, Jupiter | B Minor | 1 | 10A | 68 BPM | ||
| Borodin: The Sleeping Princess | Alexander Borodin, Galina Vishnevskaya, Mstislav Rostropovich | A Major | 0 | 11B | 66 BPM | ||
| Il fervido desiderio | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 69 BPM | ||
| Mahler: Kindertotenlieder: No. 4, Oft denk' ich, sie sind nur ausgegangen! | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | D Major | 1 | 10B | 107 BPM | ||
| The Merry Widow / Act 2: Duet: Love unspoken, love unbroken | Franz Lehár, Werner Krenn, Dame Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 86 BPM | ||
| Carmen / Act 3: Si tu m'aimes, Carmen... | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Minor | 1 | 3A | 85 BPM | ||
| Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | ||
| Puccini : Manon Lescaut : Act 4 "Sola, perduta, abbandonata" [Manon] | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | D♭ Major | 10 | 3B | 128 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
| Misa Tango: VI. Agnus Dei | MartÍn Palmeri, Astoria, Philippe Gérard | C Major | 2 | 8B | 72 BPM | ||
| Messiah, HWV 56: Part 1: Rejoice greatly, O daughter of Zion (Air) | Nikolaus Harnoncourt | A Major | 1 | 11B | 106 BPM |