Pepper Adams's ' "Philson" was released on its scheduled release date, January 1, 2000. This song appears to be safe for all ages as it is not explicit. The track order of this song in Pepper Adams's "Motor City Scene" album is number 2 out of 5. Based on our statistics, Philson's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Philson by Pepper Adams to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Roots | Mary Lou Williams | C Major | 3 | 8B | 75 BPM | ||
| April In Paris - 2007 Remaster/Rudy Van Gelder Edition | Thad Jones | C Major | 2 | 8B | 112 BPM | ||
| Yesterdays | Lennie Tristano | G Minor | 2 | 6A | 146 BPM | ||
| The Boy Next Door - Remastered 2006/Rudy Van Gelder Edition | Johnny Griffin | D Minor | 4 | 7A | 139 BPM | ||
| Once In A While | Roland Kirk Quartet | E♭ Major | 2 | 5B | 80 BPM | ||
| That Secret Place | Barry Harris | A♭ Major | 0 | 4B | 131 BPM | ||
| Daahoud | Ray Bryant Trio | A♭ Major | 3 | 4B | 105 BPM | ||
| In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
| Unforgettable | Pepper Adams Quintet | A Minor | 1 | 8A | 126 BPM | ||
| Fantastic, That's You | Earl Hines | C Major | 1 | 8B | 68 BPM | ||
| Solitude | Red Garland Quintet | B♭ Minor | 6 | 3A | 115 BPM | ||
| I'll Never Smile Again | George Shearing | B Major | 1 | 1B | 113 BPM | ||
| Blue Orchids | Don Burrows, George Golla | F Major | 0 | 7B | 72 BPM | ||
| Serenity | Pepper Adams | F Minor | 2 | 4A | 104 BPM | ||
| Inanout | Pepper Adams | G Minor | 6 | 6A | 89 BPM | ||
| You'd Be So Nice to Come Home To - 1990 Remaster | Bud Powell Trio | D Minor | 1 | 7A | 102 BPM | ||
| You Don't Know What Love Is | John Coltrane Quartet | F Minor | 2 | 4A | 65 BPM | ||
| Golden Touch | Oscar Pettiford | G Major | 5 | 9B | 129 BPM | ||
| Dedicated To You | Freddie Hubbard | B♭ Major | 1 | 6B | 125 BPM | ||
| Quintessence | Warne Marsh | C Minor | 2 | 5A | 77 BPM | ||
| Steve Allen Theme | Bud Shank, Bob Cooper | B♭ Minor | 2 | 3A | 90 BPM | ||
| Tell Me When | Gerry Mulligan Sextet | D♭ Major | 0 | 3B | 69 BPM | ||
| Inception | McCoy Tyner Trio | F Minor | 4 | 4A | 140 BPM | ||
| I Cover The Waterfront | Paul Gonsalves | G Minor | 0 | 6A | 75 BPM | ||
| You're Blase | Stan Getz Quartet | F♯ Major | 0 | 2B | 114 BPM |