Renuka Rudrapattina's ' "Ogara Hasiyitthendha" was released on its scheduled release date, August 1, 2014. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Ogara Hasiyitthendha's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Honnu Hennu Mannu Bidisada Guruvina Upadeshavanolle" album is number 10 out of 15. On top of that, India appears to be the country where this track was created. Based on our statistics, Ogara Hasiyitthendha's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ogara Hasiyitthendha by Renuka Rudrapattina to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rama Ennuva Eradu Akshara | Puttur Narasimha Nayak | A♭ Major | 5 | 4B | 93 BPM | ||
| Sri Kamakoti | Roopa Shree H S | B♭ Minor | 8 | 3A | 84 BPM | ||
| Thugire Rayara | Radha Thandaveshwar, Rama Sadashiv | E Major | 5 | 12B | 132 BPM | ||
| Siddi Vinayaka | K. Veeramani | C Major | 5 | 8B | 128 BPM | ||
| Bhalare Huduga | Chennaveera Gavayi | F Major | 6 | 7B | 129 BPM | ||
| Varnam | T. N. Krishnan | F♯ Minor | 6 | 11A | 129 BPM | ||
| Dhevaki Nandhana Hari | Vidyabhushana | D♭ Major | 6 | 3B | 81 BPM | ||
| Adi Purusha (Sloka) Sarvopayamula - Mssubbulakshmi | M. S. Subbulakshmi, Radha Viswanathan | E♭ Major | 5 | 5B | 175 BPM | ||
| Jagadodharana | M. S. Subbulakshmi, Radha Viswanathan | F♯ Major | 5 | 2B | 104 BPM | ||
| Indu Enage Govinda | Narasimha Naik | D Minor | 6 | 7A | 153 BPM | ||
| Shabiri Girisa Ayyappa | Partha Saradhi | F Minor | 5 | 4A | 102 BPM | ||
| Om Aaksharaya Namaha | Hemant Kumar, K. S. Chithra | F Major | 5 | 7B | 154 BPM | ||
| Paahi Paahimaam | Ganapathi Manthiram 4 | D Major | 3 | 10B | 52 BPM | ||
| Getti Melam | Mambalam M.K.S. Siva, M.K.S. Natarajan, Rajamani. S, N. Sundaram | B♭ Major | 6 | 6B | 104 BPM | ||
| Devi Thurgai | Bombay Saradha | D Major | 4 | 10B | 156 BPM | ||
| Dolayam (Raga Khamas) - M S Subbulakshmi | M. S. Subbulakshmi, Radha Viswanathan | D Major | 5 | 10B | 146 BPM | ||
| Hennina Balina | Gururaj Kandhuli, Manjula Gururaj, B. R. Chaya, Yeshwanth Halibandi | F Major | 5 | 7B | 88 BPM | ||
| Sri Mahalakshmi Ashtakam | Yamini Sisters, Vijayalakshmi Sharma | D Major | 6 | 10B | 134 BPM | ||
| Jagadodharana Inst | Ravichandra, Manikanta | D♭ Major | 8 | 3B | 93 BPM | ||
| Narasimha Manthravu | Vidyabhushana | D♭ Major | 5 | 3B | 85 BPM | ||
| Shankarara Sthothrake | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F♯ Major | 4 | 2B | 172 BPM | ||
| Dudukugala Nanne - Nithyasree Mahadevan | Nithyasree Mahadevan | A Major | 5 | 11B | 145 BPM | ||
| Samanjasanjarini | K. S. Chithra | E♭ Major | 5 | 5B | 173 BPM | ||
| Namo Bhootha Nadam | S. P. Balasubrahmanyam, Ramu | G Minor | 5 | 6A | 161 BPM | ||
| Adidano Ranga | Purandara Dasara Bhakta Bandugalu | F♯ Minor | 4 | 11A | 111 BPM |