Debabrata Biswas's 'Tomar Mohan Rupe' had a release date set for January 1, 1960. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Tomar Mohan Rupe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Rare Gems From Tagore Vol-3". In this album, this song's track order is #17. Furthermore, we believe that the track originated from India. In terms of popularity, Tomar Mohan Rupe is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tomar Mohan Rupe by Debabrata Biswas having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maa Achen Aar Ami Achhi | Mahesh Ranjan Shome | G Major | 5 | 9B | 88 BPM | ||
| Toora Chi Terizhi | Nashenas | B♭ Major | 6 | 6B | 102 BPM | ||
| Tumi Nirmalo Koro | Anup Ghoshal | E Minor | 4 | 9A | 132 BPM | ||
| Hari Mon Mojaye | Manabendra Mukherjee | D♭ Major | 3 | 3B | 78 BPM | ||
| Nayanabhiram Mor | Mahesh Ranjan Shome | F Minor | 5 | 4A | 136 BPM | ||
| Sabar Hridaye Rabindranath | Bhupen Hazarika | B Minor | 4 | 10A | 152 BPM | ||
| Mone Mor Megher Shongi | Rezwana Chowdhuri Bonna, Sadi Mohammad | F♯ Major | 5 | 2B | 77 BPM | ||
| Keu Bale Phalgun | Jatileswar Mukherjee | A Major | 3 | 11B | 93 BPM | ||
| Gaan Tumi Hao | Kabir Suman | B Minor | 1 | 10A | 125 BPM | ||
| Mone Premer Batti Jole | Syed Abdul Hadi | E♭ Major | 3 | 5B | 143 BPM | ||
| Madhur Basanta Esechhe | Sagar Sen | F♯ Minor | 3 | 11A | 80 BPM | ||
| Ami Tarei Boli | Hemanta Mukhopadhyay | B Major | 3 | 1B | 67 BPM | ||
| Shyama Maa Ki Aamar Kalo | Pannalal Bhattacharya | C Minor | 0 | 5A | 134 BPM | ||
| Shukho Hin Nishidin | Manomay Bhattacharya | B Major | 1 | 1B | 90 BPM | ||
| Aare Gailey Ki Ashiben Mor | Pratima Barua (Pande), Bhupen Hazarika | B Major | 3 | 1B | 138 BPM | ||
| Shyama Naamer Laglo Aagun | Ajoy Chakrabarty | C Major | 1 | 8B | 110 BPM | ||
| Emon Manush | Gostho Gopal Das | B Minor | 5 | 10A | 144 BPM | ||
| Shikwa Na Kar Gila Na Kar | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Tumi Sundor Tai Cheye Thaki | Satinath Mukherjee | D♭ Minor | 2 | 12A | 87 BPM | ||
| Timi Eak Phool | Gopal Yonjan, Narayan Gopal, Aruna Lama | A Major | 2 | 11B | 137 BPM | ||
| Oder Mato Bolbo Na Ma | Pannalal Bhattacharya | A♭ Minor | 2 | 1A | 146 BPM | ||
| Durga Amar | Amar Pal | G Major | 6 | 9B | 81 BPM | ||
| Kajal Nadir Jale | Tarun Banerjee | C Minor | 4 | 5A | 86 BPM | ||
| Katha Diye Ele Na | Asha Bhosle, R. D. Burman | E Major | 5 | 12B | 141 BPM | ||
| Chithi - Tumi Aaj Kato Durey | Jaganmoy Mitra | C Minor | 2 | 5A | 126 BPM |