At The Close Of A Long, Long Day
Jimmy Wakely, Les Baxter
Vintage Collections
2:42 January 1, 1996
BPM
163
Key
G Major
Camelot
9B

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At The Close Of A Long, Long Day by Jimmy Wakely, Les Baxter Song Details

Jimmy Wakely, Les Baxter's 'At The Close Of A Long, Long Day' had a release date set for January 1, 1996. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. At The Close Of A Long, Long Day's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vintage Collections by Jimmy Wakely. The song's track number on the album is #20 out of 20 tracks. The popularity of At The Close Of A Long, Long Day is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since At The Close Of A Long, Long Day by Jimmy Wakely, Les Baxter has a tempo of 163 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With At The Close Of A Long, Long Day being at 163 BPM, the half-time would be 82 BPM with a double-time of 326 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.

Music Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-10.95 dB
Acousticness
97%
Danceability
29%
Energy
12%
Instrumentalness
0%
Liveness
10%
Loudness
82%
Speechiness
3%
Valence
31%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records