More In The Monitor Please
John Hunter, Jr., Jonathan Slott, James J Henderson
FX In The Mix - Redux
1:04 September 2, 2010
BPM
98
Key
A Major
Camelot
11B

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More In The Monitor Please by John Hunter, Jr., Jonathan Slott, James J Henderson Song Details

John Hunter, Jr., Jonathan Slott, James J Henderson's ' "More In The Monitor Please" was released on its scheduled release date, September 2, 2010. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 20 in FX In The Mix - Redux by John Hunter, Jr., Jonathan Slott. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, More In The Monitor Please is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of More In The Monitor Please by John Hunter, Jr., Jonathan Slott, James J Henderson is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-6.137 dB
Acousticness
0%
Danceability
57%
Energy
79%
Instrumentalness
90%
Liveness
14%
Loudness
90%
Speechiness
3%
Valence
51%

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ISRC
US1st1204151
Label
L-M Records/RCA Records