Champa Methi's 'Chirmi' had a release date set for 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 11 in Champa Methi Hits, Vol. 12 by Champa Methi. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Chirmi is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Chirmi by Champa Methi is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dulha Bane Hai Shri Ram | Pandit Gaurangi Gauri Ji | G Major | 8 | 9B | 170 BPM | ||
| Aa Gayi Bharat Mai Variety | Brijesh Shastri | B Major | 7 | 1B | 95 BPM | ||
| मेहँदी की महक Mohabbat Kam Nhi Hoti | Juned Sultani, Deewana Sound | F♯ Major | 7 | 2B | 192 BPM | ||
| Rano Kaachbo | Ray Chand, Champa Methi | A Major | 8 | 11B | 90 BPM | ||
| Te Na Kar Pyar Sajan Mai | Bashir Jatoi | B♭ Minor | 10 | 3A | 117 BPM | ||
| Aadurar | Karumari Karna | A♭ Minor | 8 | 1A | 86 BPM | ||
| Bolbona Go Ar Kono Din - 17 | Baul Sukumar | B♭ Minor | 6 | 3A | 90 BPM | ||
| Karun Bali Ne Kar Rakhi | Mainpal Baseda, Satpal Dosa | E♭ Minor | 6 | 2A | 76 BPM | ||
| Sivru Prtham Nit Tumko Ganesha | Bhajnanand Ji Maharaj | A♭ Minor | 7 | 1A | 78 BPM | ||
| Baba Ji Ne Jaan Kaat Lai Meri | Tarun Baliyan | D Major | 9 | 10B | 135 BPM | ||
| Pyar Main Radha Ji Bahut Royi | Poonam Shastri Ji | F♯ Major | 9 | 2B | 106 BPM | ||
| Nimboli Lokgeet Champa Methi | Champa Meti | C Major | 9 | 8B | 100 BPM | ||
| Jija Tum Bin Rho Na Jaye | Brijesh Kumar Shastri | C Major | 7 | 8B | 130 BPM | ||
| Dhola Chaanjla | Atta Ullah Khan Esakhelvi | F♯ Major | 7 | 2B | 110 BPM | ||
| Garjat Aawe Maai Nawagadh Ke | Yuvraj Pandey | B♭ Major | 7 | 6B | 86 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Saiyan Ne Pakdo Sharabi Ko Sang | Jaysingh raja, Rani Kushwaha | D♭ Minor | 9 | 12A | 89 BPM | ||
| Prem To Jabhi Mil Skta Part 4 | Swami Aadhar Chaitanya | A♭ Minor | 5 | 1A | 94 BPM | ||
| Raychand Ji | Ray Chand, Champa Methi | D Minor | 9 | 7A | 110 BPM | ||
| Hari Bahajva Re Kaj | Jog Bharti | G Major | 6 | 9B | 138 BPM | ||
| Jhino Baaje Vaayriyo Fagan | Champa Methi | D Minor | 8 | 7A | 92 BPM | ||
| Adngiyo Lo Fi | Habib Khan | D♭ Minor | 10 | 12A | 170 BPM | ||
| Mere Lagya Opra Rog Marghat Aali | Mukesh Sharma | E♭ Major | 10 | 5B | 134 BPM | ||
| Ham Hai UP Wale | Ruchi Yadav | A♭ Major | 10 | 4B | 116 BPM | ||
| Banna Baitho To Kursi Aapri | Khanak | G Major | 7 | 9B | 136 BPM |