Gopal Rai's ' "Humke Vaid Ke Na Ojha Ke" was released on its scheduled release date, May 28, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Dahele Sanwarki by Gopal Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Humke Vaid Ke Na Ojha Ke's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Humke Vaid Ke Na Ojha Ke by Gopal Rai is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Bahbhi Man Ki Sari | Satpal Dosa, Mainpal Baseda | A♭ Major | 7 | 4B | 81 BPM | ||
| Mandpiya Wala Seth Sanvra Nalo Toh Shri | Bablu Rajasthani | F Minor | 10 | 4A | 130 BPM | ||
| Tune Jo Kamaya Hai | Chintu Sewak | D♭ Minor | 4 | 12A | 90 BPM | ||
| Padh Le Rau Bauaa | Dilip Darbhangiya | F♯ Minor | 10 | 11A | 95 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Ge Bahina Kona Ka Parichav | Dilip Dharbhangiya | F♯ Major | 9 | 2B | 115 BPM | ||
| Gajra Ke | Shivkumar Tiwari | E♭ Major | 9 | 5B | 109 BPM | ||
| Chal Ho Shahna (Shaktiwale Gaulan) | Prakash Pajane, Madhukar Yadav | D♭ Minor | 9 | 12A | 84 BPM | ||
| Bidesiya Aapan Maati Aapan Gharohar, Pt. 1 | Gopal Rai | G Major | 7 | 9B | 105 BPM | ||
| Jahle Buddhache Nirvan | Milind Shinde | A Major | 4 | 11B | 90 BPM | ||
| Jaagi Jaagi Diwla Ri Jyota Jagi Maa | Shyam Paliwal | A♭ Major | 8 | 4B | 100 BPM | ||
| Jhamlo Jagayo Thara Nam Ko | Sukhdev Bharti | F Major | 9 | 7B | 90 BPM | ||
| Sainya Mor Gavanva | Gopal Rai | A♭ Minor | 4 | 1A | 157 BPM | ||
| Jagdamba Ghar Mein Diyra | Devi | A♭ Minor | 5 | 1A | 83 BPM | ||
| Kaha Gaye Pase Kaha Gaya Beta | Satpal Dosa, Mainpal Baseda | G Major | 7 | 9B | 143 BPM | ||
| Lo Fagun Aaya Re | Sanju Sharma | C Major | 5 | 8B | 146 BPM | ||
| Guru Mazhya Ho Nathala | Shakuntala Jadhav | B Major | 7 | 1B | 101 BPM | ||
| Jogiya Mor Jagat Sukhdayak | Rajni Pallavi | E Major | 3 | 12B | 68 BPM | ||
| Gori Gaili Piyava Ke Desh | Madan Rai | E♭ Major | 5 | 5B | 166 BPM | ||
| Agar Dil Kisi Ka | Parmod Kumar | F♯ Major | 7 | 2B | 84 BPM | ||
| Harahu Kalesh Hamar | Dilip Darbhangiya | F♯ Major | 9 | 2B | 107 BPM | ||
| Bhootpret Baitaal | Lakhbir Singh Lakkha | D♭ Major | 6 | 3B | 89 BPM |