"The Falcon: The Falcon: I. Vivace e ritmico" by John Rutter, City of London Sinfonia, St. Paul's Cathedral Choir, Andrew Lucas, The Cambridge Singers had its release date on September 1, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "O Praise the Lord of Heaven". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Falcon: The Falcon: I. Vivace e ritmico's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Falcon: The Falcon: I. Vivace e ritmico by John Rutter, City of London Sinfonia, St. Paul's Cathedral Choir, Andrew Lucas, The Cambridge Singers having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Pasture - Randall Thompson | Randall Thompson, Exultate | F Major | 0 | 7B | 73 BPM | ||
| I Wonder As I Wonder | arr. John Jacob Niles, Octarium | A Minor | 4 | 8A | 66 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| Psalm 139 | O God You search me | Christelijk koor Jigdaljahu, Mark Brandwijk, Marco den Toom, Bert Noteboom, Lennart Morée, Arjan Wouters | D♭ Major | 2 | 3B | 169 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| The Mass: Qui Tollis | Patrick Cassidy | A Major | 2 | 11B | 85 BPM | ||
| Sure on this shining night, Op. 13, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson, Faith Debow | B♭ Major | 0 | 6B | 80 BPM | ||
| Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
| Here is the little door | Howard Howells, Choir of Clare College, Cambridge, Graham Ross | A Minor | 1 | 8A | 69 BPM | ||
| Notebook for Anna Magdalena Bach (1725): No. 25, Bist du bei mir, BWV 508 [Arr. for Orchestra by John Rutter] | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| The Mass: Osanna I | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Requiem (Arr. Johnson) | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | F Major | 0 | 7B | 95 BPM | ||
| Go Forth into the World in Peace | John Rutter, The Cambridge Singers, City of London Sinfonia | F Major | 3 | 7B | 77 BPM | ||
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Entreat Me Not To Leave You | Salt Lake Vocal Artists | B♭ Minor | 2 | 3A | 79 BPM | ||
| The Beatitudes | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 66 BPM | ||
| Stella Natalis: II. Lullay | Karl Jenkins | C Major | 0 | 8B | 170 BPM | ||
| God Be in My Head | Henry Walford Davies, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Celtic Concerto: 1. Jig a Jig | Catrin Finch, Sinfonia Cymru, John Rutter | E♭ Major | 3 | 5B | 140 BPM | ||
| Christ fuhr gen Himmel | Sjaella | E Minor | 1 | 9A | 134 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, John Rutter, Aurora Orchestra, The Cambridge Singers, Elin Manahan Thomas | D Major | 2 | 10B | 108 BPM |