"Andante et Allegro pour violoncelle et piano in E Major: I. Andante" by Reynaldo Hahn, Dania Tchalik, Marc Tchalik had its release date on January 9, 2026. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 2 in the song's album "Reynaldo Hahn : Andante & allegro pour violoncelle et piano". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Andante et Allegro pour violoncelle et piano in E Major: I. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andante et Allegro pour violoncelle et piano in E Major: I. Andante by Reynaldo Hahn, Dania Tchalik, Marc Tchalik having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Agnus Dei, "In memoriam Oleg Kagan": I. Agnus Dei (Larghetto) | Tigran Mansurian, Roeland Hendrikx Ensemble | E Major | 0 | 12B | 68 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | E Major | 0 | 12B | 68 BPM | ||
| 6 Lieder de Franz Schubert: II. L'Attente | Alexandre Batta, Franz Schubert, Sol Gabetta, Irina Zahharenkova | D Major | 5 | 10B | 76 BPM | ||
| Sonata in G Minor for Cello and Piano, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | G Major | 1 | 9B | 79 BPM | ||
| カプリオール組曲: V. Pieds-en-l'air | Peter Warlock, 石田組 | G Major | 1 | 9B | 114 BPM | ||
| Anders Krisár: Lullaby for Florens | Anders Krisár, Roland Pöntinen | A Major | 0 | 11B | 128 BPM | ||
| Sarabande for violin and piano | Ludovico Einaudi, Trio Fibonacci | A Major | 0 | 11B | 61 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, English String Orchestra, William Boughton | B♭ Major | 2 | 6B | 92 BPM | ||
| Souvenir d'un lieu cher, Op. 42, TH 116 (Arr. for Violin & Orchestra by Alexander Glazunov): No. 3, Mélodie | Pyotr Ilyich Tchaikovsky, Natalia Lomeiko, The Russian State Philharmonic, Valery Polyansky | E Minor | 0 | 9A | 82 BPM | ||
| Prelude Op.32 No.5 G Major | Valentina Lisitsa | D♭ Major | 3 | 3B | 70 BPM | ||
| 6 Romances, Op. 28 TH 99: No. 3, Why? (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| Estrellita (Arr. Campbell for Violin, Guitar, Accordion & Cello) | Manuel Ponce, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| 6 Klavierstucke Intermezzo in A Major, Op. 118 No. 2 | Johannes Brahms, Anna Miernik | F Major | 2 | 7B | 112 BPM | ||
| Hahn: Le rossignol éperdu: No. 52, Hivernale (Version for Piano) | Reynaldo Hahn, Shani Diluka | F♯ Minor | 0 | 11A | 137 BPM | ||
| 6 Lieder, Op. 13: No. 1, Ich stand in dunklen Träumen (Transcr. Soltani for Cello and Piano) | Clara Schumann, Kian Soltani, Julien Quentin | E♭ Major | 0 | 5B | 86 BPM | ||
| ロマンス | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| Suite No. 4 in E Minor: Prelude X.XVII | Monsieur de Sainte-Colombe, Christian-Pierre La Marca | E♭ Minor | 1 | 2A | 123 BPM | ||
| Cello and Lark | Christoph Otto Beyer, Mellow Melange, Ingo Höricht | E Major | 0 | 12B | 68 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | E Major | 0 | 12B | 68 BPM | ||
| Brahms: 7 Fantasies, Op. 116: No. 4, Intermezzo in E Major | Johannes Brahms, Piotr Anderszewski | E Major | 0 | 12B | 68 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| Cello Sonata in A Minor: III. Adagio | Henriette Bosmans, Raphaela Gromes, Julian Riem | C Major | 1 | 8B | 69 BPM | ||
| From Jewish Life, B. 54: I. Prayer (Arr. Parkin for Violin, Accordion & Cello) | Ernest Bloch, Nicola Benedetti, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| 3 Mélodies, Op. 5: No. 3 in E-Flat Major, Andante soave | Fanny Mendelssohn, Pierpaola Porqueddu | E Major | 0 | 12B | 68 BPM |