"Ever After" by Capcom Sound Team had its release date on September 22, 1999. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 86 in the song's album "Resident Evil 3 Nemesis Original Soundtrack". In this album, this song's track order is #39. Furthermore, we believe that the track originated from Japan. In terms of popularity, Ever After is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ever After by Capcom Sound Team having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghost on the Tracks | Nolan Reese | C Major | 2 | 8B | 88 BPM | ||
| Intro | Artur Kordas | F♯ Major | 2 | 2B | 106 BPM | ||
| Deserted Day | Pawel Blaszczak | B♭ Minor | 3 | 3A | 75 BPM | ||
| Hell | Matt Uelman | B Minor | 4 | 10A | 78 BPM | ||
| The Other Side | Bxmmusic | D Major | 3 | 10B | 160 BPM | ||
| The Leviathan | Jason Graves, EA Games Soundtrack | F Major | 9 | 7B | 140 BPM | ||
| "Lacrimosa/Mozart:Requiem K626" | Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 98 BPM | ||
| Odyssey | Ipharihann | E Minor | 1 | 9A | 120 BPM | ||
| Mellow | Garrett Lindquist | G Minor | 0 | 6A | 82 BPM | ||
| Javi in Prescott | Jared Emerson-Johnson | E Minor | 1 | 9A | 96 BPM | ||
| No Friends | Mark J Hadley | C Major | 0 | 8B | 135 BPM | ||
| Bright Falls Light & Power | Petri Alanko | D Minor | 2 | 7A | 108 BPM | ||
| Sarah's Song | Jared Emerson-Johnson | G Minor | 2 | 6A | 161 BPM | ||
| The Wards | Jack Wall, EA Games Soundtrack | D Major | 3 | 10B | 170 BPM | ||
| The City of Ruin | Capcom Sound Team | C Major | 1 | 8B | 172 BPM | ||
| Code 3: En Route | Masafumi Takada | G Minor | 4 | 6A | 90 BPM | ||
| The Beginning of Fear | 内山 修作 | F Major | 4 | 7B | 168 BPM | ||
| In Search of Lost Time | 内山 修作 | F Minor | 3 | 4A | 136 BPM | ||
| Sunken So Nuts | Akuma Kira | D♭ Minor | 4 | 12A | 123 BPM | ||
| Magdalene | Edgar Rothermich | F Minor | 0 | 4A | 69 BPM | ||
| Surrounded | Nobuko Toda, Kazuma Jinnouchi, Sota Fujimori | A Major | 3 | 11B | 112 BPM | ||
| Welcome to the Asylum | Samuel Laflamme | C Minor | 2 | 5A | 68 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| I Thought We Were All Dead | Samuel Laflamme | F♯ Minor | 0 | 11A | 80 BPM | ||
| Cadaverous (ステージ4) | SNK SOUND TEAM | G Major | 7 | 9B | 180 BPM |