On December 31, 1957, the song "Be Akhtiyar Hoke" was released by Asha Bhosle, Mohammed Rafi. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in O. P. Nayyar, Hasrat Jaipuri's "Johny Walker" album is number 3 out of 4. On top of that, India appears to be the country where this track was created. In terms of popularity, Be Akhtiyar Hoke is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Be Akhtiyar Hoke by Asha Bhosle, Mohammed Rafi to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chand Si Mehbooba Ho Meri | Mukesh | F Major | 3 | 7B | 88 BPM | ||
| Muqabala Muqabala | Mano, Swarnalatha | C Major | 6 | 8B | 120 BPM | ||
| Thehriye Hosh Mein Aa Loon | Suman Kalyanpur, Mohammed Rafi | B♭ Minor | 2 | 3A | 116 BPM | ||
| Phir Wohi Sham Wohi Gham | Talat Mahmood | D♭ Major | 4 | 3B | 76 BPM | ||
| Mohabbat Inayat Karam Dekhte Hain | Anuradha Paudwal, Pankaj Udhas | F♯ Major | 7 | 2B | 93 BPM | ||
| Gomu Sangtina Mazya | Hemant Kumar, Asha Bhosle | C Major | 5 | 8B | 70 BPM | ||
| O Rabba Koi To Bataye | Anuradha Paudwal, Suresh Wadkar | D Major | 5 | 10B | 77 BPM | ||
| Dekho Mera Dil Machal Gaya | Sharada, Shailendra | A Major | 7 | 11B | 130 BPM | ||
| O Haseena Zulfonwale Jane Jahan Afro Trap | The Hrishi, Asha Bhosle, Mohammed Rafi | G Minor | 7 | 6A | 140 BPM | ||
| Daroga O Daroga | Kanu Bhattacharya, Asha Bhosle | E Major | 7 | 12B | 85 BPM | ||
| Suhana Safar Aur Yeh Mausam | Mukesh | G Minor | 3 | 6A | 151 BPM | ||
| Agar Hum Kahen Aur Woh Muskura Den | Jagjit Singh, Chitra Singh | E Minor | 5 | 9A | 109 BPM | ||
| Sandese Aate Hai (From "Border") | Roop Kumar Rathod, Sonu Nigam | A Major | 8 | 11B | 89 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Na Moonh Chhupa Ke Jiyo | Mahendra Kapoor | F Major | 5 | 7B | 135 BPM | ||
| Chandan Sa Badan Chanchal Chitwan - Mukesh | Mukesh, Kalyanji-Anandji | B♭ Major | 3 | 6B | 94 BPM | ||
| Sajna Hai Mujhe Sajna Ke Liye | Asha Bhosle | F♯ Minor | 4 | 11A | 112 BPM | ||
| Laila O Laila - From "Qurbani" | Kanchan, Amit Kumar | G Minor | 5 | 6A | 133 BPM | ||
| Tum Agar Saath Dene Ka Vada Karo | Mahendra Kapoor | B Major | 3 | 1B | 149 BPM | ||
| Aar Koto Raat Eka Thakbo | Bappi Lahiri, Asha Bhosle | A Minor | 9 | 8A | 87 BPM | ||
| Maahi Ve | Sukhwinder Singh, Richa Sharma | F Minor | 6 | 4A | 176 BPM | ||
| Jeeye to Jeeye Kaise (From "Saajan") | Pankaj Udhas | C Major | 5 | 8B | 129 BPM | ||
| Koi Yeh Kaise Bataye | Jagjit Singh | G Minor | 2 | 6A | 125 BPM | ||
| Tere Haathon Mein | Mohammed Rafi, Asha Bhosle, Laxmikant–Pyarelal | E Major | 6 | 12B | 134 BPM | ||
| Ek Taraf Uska Ghar | Pankaj Udhas | B Minor | 5 | 10A | 88 BPM |