On February 6, 2021, the song "Apurva Avsar" was released by SRMD Bhakti. This song appears to be safe for all ages as it is not explicit. The song is number 17 out of 18 in Ajnabhakti by SRMD Bhakti. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Apurva Avsar is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Apurva Avsar by SRMD Bhakti is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| BELTOON (ZIRHGAI) | ZIRHGAI | C Major | 4 | 8B | 133 BPM | ||
| Gnani Bal mate Halardu | Dada Bhagwan | G Major | 4 | 9B | 148 BPM | ||
| Jay Jay Trishla Nandan | Pu.Acharya Udayratna Suriji M.s., Sachin limaye | G Major | 5 | 9B | 134 BPM | ||
| Acknowledge His Presence All Around You | Veer Manpreet Singh | D♭ Major | 3 | 3B | 140 BPM | ||
| Shabdma Samay Nahi | SRMD Bhakti | A Major | 4 | 11B | 122 BPM | ||
| Shree Umiya Chalisa | Sagar Patel, Pamela Jain | D♭ Major | 9 | 3B | 105 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM | ||
| Gunla Gava Bhaav Ghana Chhe | SRMD Bhakti | F Major | 3 | 7B | 75 BPM | ||
| Pavan Kiye Angan Mere | Manan Sanghvi, Parshv Nagshetia, Jainam Mehta | E Major | 5 | 12B | 120 BPM | ||
| Charane Rakho Sharane Rakho Shri Vallabhadhish | Pushtivrund | E♭ Major | 4 | 5B | 82 BPM | ||
| Dil ka sukoon | Satyendra Sharma | E♭ Minor | 8 | 2A | 100 BPM | ||
| Barsi Kripa | SRMD Bhakti | A♭ Major | 2 | 4B | 150 BPM | ||
| Saiyam Aapo Prabhuji | Paras Gada | C Minor | 8 | 5A | 112 BPM | ||
| Dhhumash Chhe | Sachin Limye | F Major | 2 | 7B | 114 BPM | ||
| O Humdum Suniyo Re x Say My Name | Shunya Vichaar | B Minor | 5 | 10A | 114 BPM | ||
| Panduranga Yere | Bhakti Marga Music, Swami Ranga Ramanuja | C Major | 7 | 8B | 128 BPM | ||
| Sai Naam Toh Mantra Hey | Chandra Bhanu Satpathy | A Major | 3 | 11B | 114 BPM | ||
| Is Kaya Ka Hove | Anandmurti Gurumaa | D♭ Major | 3 | 3B | 170 BPM | ||
| Dhwaja | Jainam Varia | F♯ Major | 6 | 2B | 100 BPM | ||
| Arhanto Bhagwant | SRMD Bhakti | F♯ Major | 4 | 2B | 88 BPM | ||
| Muj Ko Bhi Yaad Karna | Anas Nazeer | F Minor | 7 | 4A | 84 BPM | ||
| Nwng Kaham Tongdi | Arun Debbarma, Manasi Debbarma | F Major | 6 | 7B | 174 BPM | ||
| Narmadashtakam | Chinmayee Tambe, Abhijit Bartakke | E Minor | 2 | 9A | 86 BPM | ||
| Virti Na Paigaam | Manan Sanghvi | F Major | 5 | 7B | 140 BPM | ||
| Sri Krishna Govind - Hare Murari | Divine Raga Studio | G Major | 6 | 9B | 94 BPM |