Reggie And The Full Effect's 'Girl, Why'd You Run Away' had a release date set for June 17, 1998. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Girl, Why'd You Run Away's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reggie And The Full Effect's "Greatest Hits 84-87 (25th Anniversary)" album is number 2 out of 25. Based on our statistics, Girl, Why'd You Run Away's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Girl, Why'd You Run Away by Reggie And The Full Effect to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coming Clean | The Get Up Kids | A Major | 9 | 11B | 99 BPM | ||
| No Better Way to Show Your Love Than a Set of Broken Legs | Moneen | D♭ Minor | 9 | 12A | 177 BPM | ||
| Composing | Boys Night Out | D♭ Minor | 9 | 12A | 146 BPM | ||
| Keep Your Distance | Home Grown | E♭ Major | 10 | 5B | 154 BPM | ||
| Spidersong | Say Anything | A Major | 5 | 11B | 83 BPM | ||
| Pink Chimneys | The Promise Ring | F Major | 9 | 7B | 161 BPM | ||
| Number Five With A Bullet | Taking Back Sunday | A Major | 9 | 11B | 143 BPM | ||
| Exchanging Two Hundred | The Early November | F♯ Major | 4 | 2B | 100 BPM | ||
| New Disaster | I Am The Avalanche | B♭ Minor | 9 | 3A | 160 BPM | ||
| Masterpiece | Bayside | A♭ Major | 10 | 4B | 100 BPM | ||
| Handguns and Second Chances | Senses Fail | F Minor | 9 | 4A | 127 BPM | ||
| Emma Discovery | The Anniversary | C Major | 9 | 8B | 117 BPM | ||
| Sex Sells, And (Unfortunately) I'm Buying | Piebald | E Major | 9 | 12B | 83 BPM | ||
| At Your Funeral | Saves The Day | D Major | 9 | 10B | 198 BPM | ||
| Twenty Below | Hidden In Plain View | G Major | 9 | 9B | 102 BPM | ||
| Speakers Push the Air | Pretty Girls Make Graves | E Major | 10 | 12B | 182 BPM | ||
| Life Gets In The Way Of Living | Grade | C Major | 9 | 8B | 124 BPM | ||
| Fuck You Aurora | Alkaline Trio | G Major | 8 | 9B | 111 BPM | ||
| San Francisco | Alkaline Trio | A Major | 9 | 11B | 133 BPM | ||
| Freakish | Saves The Day | D Major | 5 | 10B | 148 BPM | ||
| Get Well Soon | Reggie And The Full Effect | A Major | 8 | 11B | 145 BPM | ||
| Every Night's Another Story | The Early November | G Major | 3 | 9B | 124 BPM | ||
| Seamless | Grade | G Major | 8 | 9B | 84 BPM | ||
| Shoulder to the Wheel | Saves The Day | E Major | 10 | 12B | 191 BPM | ||
| Hold on Tightly, Let Go Lightly | Boys Night Out | A Major | 6 | 11B | 129 BPM |