Variations on a Rococo Theme, Op.33, TH.57: Moderato assai quasi andante by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky Song Details

"Variations on a Rococo Theme, Op.33, TH.57: Moderato assai quasi andante" by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky had its release date on January 1, 1961. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 15 in the song's album "Shostakovich: Cello Concerto No. 2. Tchaikovsky: Rococo Variations; Andante cantabile. Glazunov: Chant du Ménestrel". In this album, this song's track order is #4. Variations on a Rococo Theme, Op.33, TH.57: Moderato assai quasi andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Variations on a Rococo Theme, Op.33, TH.57: Moderato assai quasi andante by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

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Popularity: 3%
Loudness: -24.144 dB
Acousticness: 99%
Danceability: 25%
Energy: 1%
Instrumentalness: 81%
Liveness: 12%
Loudness: 60%
Speechiness: 4%
Valence: 14%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Waltz No. 19 in A minor, Op. posth.	Frédéric Chopin, Peter Jablonski	A Minor	0	8A	69 BPM
Polonaise in A-Flat Major, Op. 53	Frédéric Chopin, Evgeny Kissin	A♭ Major	3	4B	85 BPM
La bayadère: Variation 3: Moderato	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	D Major	0	10B	78 BPM
Consolation No. 3 in D-Flat Major, S. 172/3	Franz Liszt, Vladimir Horowitz	D♭ Major	0	3B	70 BPM
Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse	Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev	D♭ Major	1	3B	108 BPM
Aleko: Intermezzo	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	B♭ Major	0	6B	90 BPM
Introduction and Rondo capriccioso in A Minor	Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit	A Minor	1	8A	91 BPM
Gold Und Silber (Gold And Silver), Op. 79	Slovak Radio Symphony Orchestra, Franz Lehár	C Major	1	8B	81 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto	Ludwig van Beethoven, Paul Lewis	D♭ Minor	0	12A	172 BPM
The Snow Maiden, Op. 12: I. Introduction	Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky	C Major	0	8B	91 BPM
Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 6, Waltz	Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Symphoniker	G Major	2	9B	131 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103	Felix Mendelssohn, Péter Nagy	E♭ Major	0	5B	65 BPM
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto)	Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek	G Major	2	9B	106 BPM
Coppelia: Act I - Prelude	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	D Major	0	10B	88 BPM
Requiem: IIa. Dies irae	Giuseppe Verdi, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev	C Minor	4	5A	88 BPM
Andante and Finale, Op. 79 (orch. S. Taneyev): Andante	Polish National Radio Symphony Orchestra, Bernd Glemser, Pyotr Ilyich Tchaikovsky	B♭ Major	0	6B	97 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)	Franz Schubert, Franz Liszt, Khatia Buniatishvili	D Major	0	10B	67 BPM
Slavonic March, Op. 31, TH 45	Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev	B♭ Minor	2	3A	110 BPM
Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March]	Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov	C Major	4	8B	135 BPM
La Bayadere, Act III: 39. "Entrance of the Shades"	Evergreen Symphony Orchestra, Kevin Galiè	D Major	0	10B	76 BPM
16 Waltzes, Op. 39: No. 15 In A Flat Major	Johannes Brahms, Idil Biret	A♭ Major	0	4B	68 BPM
Wiener Blut, Op. 354	Johann Strauss II, Vienna Volksoper Orchestra, Franz Bauer-Theussl	D Major	2	10B	93 BPM
Le roi s'amuse: Passepied	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Major	1	11B	88 BPM
Pavane, Op. 50	Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton	F♯ Minor	0	11A	66 BPM
Giselle: No. 21 - Andante	Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra	E♭ Major	0	5B	73 BPM